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Similar Movies
No. 11: Mirror Animations(en)
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
Full Moon(en)
Designed for continuous single or multiple monitor display (as well as video projection), the tape is a collection of computer animated sequences of celestial images spanning time and cultures, moving objects and images in harmonic choreography and spatial play.
Dragonfly(ja)
An abstract animation with a motif of a dragonfly, and a complex multi-exposure landscape of a field and a woman's naked body overlap.
Across the Universe(en)
When young dockworker Jude leaves Liverpool to find his estranged father in the United States, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy, who joins the growing anti-war movement. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad.
Enigma: Nazo(ja)
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
Jazzimation(xx)
A jazzy film in which the spectator is forced to look with the ears and listen with the eyes. An abstract film drawn directly on the computer.
Twilight(en)
An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.
VIVAldi VVinter(en)
A deep dive into a snowstorm of structural chaos and a blizzard of exploding gestural animation.
Keep on Turning(xx)
In Wiertz and Verbeek's kinetic, kaleidoscopic opus Keep on Turning (1974, 3 min, 16mm, sound) cubes convey, rotate and shift in tandem.
Not Even Nothing Can Be Free of Ghosts(de)
Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.
Dimensions(xx)
A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.
Rectangle & Rectangles(en)
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
Peccadillo(es)
Peccadillo tells the story of Lorenzo. An 18- year-old boy struggling to come out to his religious family of female tailors, who work day and night sewing the dresses he only dreams to wear. Unfortunately, the dream of fitting into one of these sparkly beauties and explore his sexuality lingers in the air, as through his Family’s eyes, being gay and wearing clothes opposite to someone’s sex, is a sin.
#57(en)
A categorical accumulation of abstract patterns. Lines, colours and sounds obey an impenetrable logic. A quiet film that dares to be resolutely experimental. Chaotic equations by the Chinese mathematician Wang Lin are tackled by an analogue computer, a small battery of surplus high-frequency oscillators and Joost Rekveld.
On Generation and Corruption(ja)
Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.
The Stroke(en)
The Stroke is a hand-drawn animation film that reverses the roles of audio and visuals for a music video. Improvised on its very first viewing, the music for The Stroke was the immediate response of the musicians to the artistic and emotional visual journey.
Magic Conch Shell(en)
Estranged lovers reconnect through the power of the Magic Conch Shell.
Mamori(xx)
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.