
Entrevistada
Entrevistada
Entrevistada
Entrevistada
Entrevistada
Entrevistada
Sexóloga

The documentary deals with the experiences around orgasm of Paraguayan women of different ages and provides the vision of a sexologist who comments on these experiences. In the conversation that is generated from this social dynamic, taboos, myths and common situations in relationships are discussed.
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A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.
5.0In the years following the Civil Rights movement and the passage of Title IX in 1972, Dr. Donnis Thompson (a headstrong African-American female coach), Patsy Mink (the first Asian-American U.S. congresswoman), and Beth McLachlin (the team captain of a rag-tag female volleyball team), battled discrimination from the halls of Washington D.C. to the dusty volleyball courts of the University of Hawaii, fighting for the rights of young women to play sports.
0.0A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
0.0In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
0.0Outlawed in Pakistan tells the story of Kainat Soomro as she takes her rape case to Pakistan's deeply flawed court system in hopes of getting justice. The 13-year-old Kainat accuses four men of gang rape and shortly after is ordered to be killed by her village elders. Spanning over five years, the story is told through the perspective of Kainat and the four men accused of her rape.
6.8An unprecedented access to a number of Saudi women in the capital city of Riyadh as they embrace the freedom that comes from being behind the wheel.The Saudi Women’s Driving School is said to be the world's largest driving school, which caters exclusively to women since the ban on female drivers was lifted in 2017.
10.0Examines the 40-year evolution of gender inequality and discrimination in the workplace since the 1980 release of the comedy film “9 to 5” starring Jane Fonda, Lily Tomlin, Dolly Parton, and Dabney Coleman.
7.5Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
5.7Women are being jailed, physically violated and at risk of dying as a radical movement tightens its grip across America.
0.0An insightful sit down chat with five of Malta's influential female trailblazers, some of whom are artists, all of whom are paving the way for change.
0.0Four women are on an existential journey in Morocco, connecting with local women from all walks of life bonding in sisterhood, and share their common quest for empowerment.
6.0A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.
0.0Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.
9.0Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.
0.0In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.
0.0Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
0.0After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.
0.0This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.
0.0A closer look at the underestimated role of women in the current Whisky industry in Scotland