The Angel Wore Red
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Cardelinas(es)
August 1936. After being separated from her family by the Falangists, Concha Monrás spends her last days in a prison cell. With her young cellmate Adela, she reconstructs her relationship with Ramón Acín and remembers his life as an artist, a pedagogue and a man.
Five Cartridges(de)
It is the year 1936 and the Spanish Civil War is raging. When the German commander of an international brigade is badly wounded he gives his five comrades a message which he divides up and secretes into in five cartridges. All five shells must reach the battalion in order for the message to be relayed. But Frenchman Pierre can’t bear the heat of the Sierra. When he leaves their hide-out to drink from a well he is hit by an enemy bullet.
The Anarchist's Wife(es)
"The Anarchist's Wife" is the story of Manuela who is left behind when her husband Justo fights for his ideals against Franco's Nationalists during the Spanish Civil War. He is deported to a concentration camp, and upon his release, continues the fight against nationalism in the French resistance. Years, pass without a word from him, but his wife never gives up hope of seeing him again.
Fiesta(fr)
A Jekyll-and-Hyde colonel toughens up a 17-year-old aristocrat for the Spanish Civil War.
The Spirit of the Beehive(es)
In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.
¡Jo, papá!(es)
With the purpose of recalling a youthful adventure, Enrique, a well-placed merchant, decides to travel around Spain in the company of his wife Alicia and his two daughters, Pilar and Carmen.
Head in the Clouds(en)
Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.
Madrid(es)
Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.
Alféreces provisionales(es)
Javier López Cronwell, journalist, son of an American and a Spaniard, comes to Spain to write a series of anti-communist articles. The boy is politically neutral and emotionally and personally cold. He comes into contact with his paternal grandfather and the friends of his father, who died in our Liberation War, who propose that he take the provisional ensigns as a topic for his article. He prepares his return to North America without waiting to see the 25th anniversary Victory Parade, despite the wishes of his father's friends, old ensigns who will parade to show the world that they are still in the breach.
Líneas de fuego(es)
Love story during the Spanish civil war in a psychiatric hospital.
El libro de las aguas(es)
Ángel Pedrosa (Álex González, Fernando Luján) returns to Bruma (Córdoba), his hometown, from where he had to flee during the Civil War. He returns to reconstruct his family's history, to forgive himself, and to remember others. Ángel stitches together the fragments of his life during Spain in the second half of 1939. His first love, the hatred of the post-war period, the intolerance and the passages he went through until he had to flee, hastily, out of his homeland to not return until many years later.
Flores de mármol y caballos morados(es)
During the early moments of the Spanish Civil War, in a spanish village, Isidoro lives with his father Lucas and his horse Coco. Isidoro witnesses how his father, torn apart by their debts, wages his frustration upon Coco.
Mirror(ru)
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
The Devil's Backbone(es)
Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.
Black Bread(ca)
In the harsh post-war years' Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him.
Viva la Muerte(fr)
At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search?
Land and Freedom(en)
David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.
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