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Legacy(en)

A group of inmates discuss their daily routines inside prison, their crimes and how they don't tolerate the system. It all changes when a powerful and respected veteran prisoner named Mr. Carter talks about certain important things.

Adnis(en)

A boxer trains with an old man in vacant building.

Moonlight(en)

A look at an all-Black cast reboot of the TV show "Friends".

The Story of O.J.(en)

Jay-Z explores what being successful means to black people in a world of archetypes and wasteful spending.

Kill Jay-Z(en)

Jay-Z reflects on his decisions and mistakes and how they have affected his relationships.

Marcy Me(en)

JAY-Z reminisces on his days as a hustler in Marcy Houses in Brooklyn.

Classic Albums: Jay-Z - Reasonable Doubt(en)

Reasonable Doubt is the debut album of American rapper Jay-Z, released June 25, 1996 on Roc-A-Fella Records in the United States and on Northwestside Records in the United Kingdom. The album features production by DJ Premier, Ski, Knobody and Clark Kent, and guest appearances from Memphis Bleek, Mary J. Blige, and The Notorious B.I.G., among others. Similar to Raekwon's Only Built 4 Cuban Linx... (1995), Reasonable Doubt incorporates a mafioso theme, while it also integrates topics such as betrayal and reminiscence.

Locked Off(en)

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Here at the Water's Edge(en)

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

Alain Cavalier - Sept chapitres, cinq jours, 2 pièces-cuisine(fr)

A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.

Citizen Ken Loach(en)

A “Cinéma, de notre temps” series episode directed by french filmmaker Karim Dridi, originally aired 2 July 1997.

The Home Cinema of the Dardenne Brothers(fr)

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Le Cinéma de grand-père(fr)

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

Neil Diamond: I'm Glad You're Here with Me Tonight(en)

The majestic Neil Diamond live! Prepare to melt.

Film ohne Fesseln - Das neue Hongkong Kino(de)

A German documentary on Hong Kong cinema.

Mysteries of Ancient China(en)

Archeologists discover a pit filled with terracotta warriors buried to protect the grave of the First Emperor of China.

Genesis | Live... Tonight(en)

Radikalslöjdaren(sv)

Animación en la sala de espera(es)

The Space in Between(en)

A new piece in which Linklater and actor-cowriters Julie Delpy and Ethan Hawke discuss the trilogy, moderated by critic Kent Jones.