In 1938, the Jew and political activist Ernst Federn was arrested by the Nazis in Vienna, taken to Dachau concentration camp and later to Buchenwald. He was imprisoned there for seven years - and survived. In the documentary, Ernst Federn, who emigrated to the USA after the war, talks about the terror he experienced.
1992-12-12
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0.0The impact of new documents from the international conflict that shook the world is enormous. Never-before-seen footage has emerged for the first time from previously secret archives. The murderous encirclement battles in Russia, the Battle of Britain, and the heroic deeds of countless lone fighters in Potsdam complete the circle of horror, from the Polish campaign to the harrowing images of refugee treks in the winter of 1944/45.
5.2Documentary about an annual beauty contest held in Haifa, Israel, in which only women who survived the Holocaust - and are therefore between 77 and 95 years old - are allowed to take part.
5.0In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.
0.0Betty Van Sevenant, a young resistance fighter from Bruges, arrested in March 1942, was declared "Nacht und Nebel". She recounts her deportation to the Ravensbrück and Mauthausen camps until liberation. Tobias Schiff, a Polish Jew from Antwerp, was deported with his parents to Upper Silesia on August 28, 1942, on convoy No. 25. His story begins upon arrival at Auschwitz-Birkenau and concludes with the liberation of the Bergen-Belsen camp. (2 x 26 min.)
6.9Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
6.7Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
7.5The secret Nazi death camp at Sobibor was created solely for the mass extermination of Jews. But on the 14th October 1943, in one of the biggest and most successful prison revolts of WWII, the inmates fought back.
8.0The SS chief Heinrich Himmler wanted to exchange Jews against so-called German Reich abroad, against arms sales or for cash - with the express approval of Hitler.
6.6What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
1.0"Never Again?" seeks to educate others on the horrors and consequences of anti-Semitism. The film follows the journey of a Holocaust Survivor and former radical Islamist as they seek to leave behind a legacy of love over hate.
4.5The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
5.7In 1994, film producer Patrick Sobelman recorded the testimony of his grandmother Golda Maria Tondovska, a Polish Jewish survivor of the Shoah.
7.2Featuring never-before-seen film footage of Adolf Hitler and the Nazi regime, The Architecture of Doom captures the inner workings of the Third Reich and illuminates the Nazi aesthetic in art, architecture and popular culture. From Nazi party rallies to the final days inside Hitler's bunker, this sensational film shows how Adolf Hitler rose from being a failed artist to creating a world of ponderous kitsch and horrifying terror. Hitler worshipped ancient Rome and Greece, and dreamed of a new Golden Age of classical art and monumental architecture, populated by beautiful, patriotic Aryans. Degenerated artists and inferior races had no place in his lurid fantasy. As this riveting film shows, the Nazis went from banning the art of modernists like Picasso to forced euthanasia of the retarded and sick, and finally to the persecution of homosexuals and the extermination of the Jews.
6.7Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
6.9A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
9.0The true story of one boy's journey as a victim of Nazi oppression. While exposed to some of the most horrific events of the Holocaust, Misa was able to endure the atrocities of genocide through his love of art and music.
4.5A Nazi propaganda film made to promote anti-Semitism among the German people. Newly-shot footage of Jewish neighborhoods in recently-conquered Poland is combined with preexisting film clips and stills to defame the religion and advance Hitler's slurs that its adherents were plotting to undermine European civilization.
0.0The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?
The absurd and often surrealistic story of the last propaganda film of the Third Reich.