Documentary highlighting clips and providing historical context to surviving silent films from Uzbekistan.
2024-10-10
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A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.
Documentary on the rise and fall of the Danish silent film industry.
A biographical film about one of the greatest Medieval scientists and scholars, Al-Biruni.
A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.
The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.
Charlie Chaplin, The Tramp. In this documentary, we will take a look at the life of actor and director Charlie Chaplin, and talk about his films and hidden symbolisms.
The epic and poetic tale of the early years of Italian cinema, from 1896 to 1930: how peplum was born, how the first stars shone, how many daring filmmakers were able to create an original style amalgamating literature, theater, painting and opera; a tale of splendor and decadence.
The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.
The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
Chronicles of the cultural life of Tashkent (2007 – 2015). From the murder of Mark Weil to the wedding of Alisher Usmanov. Tashkent Biennale, apartment buildings, video art festival, conversations about nothing, amateur performances and operational shooting, advertising and much more. Tashkent, which no longer exists, just as these people are no longer in it.
Portrait of a typical European feminist - Olga Lipovskaya (1954-2021), journalist, translator, poet, founder of the women's non-profit organization St. Petersburg Center for Gender Issues (an educational and resource center for women and women's organizations), editor of the samizdat magazine Women's Reading.
Having gone to Samarkand in search of traces of colonial culture, of which there were quite a few left there, having carefully photographed them, we suddenly discovered that it was not the dead buildings that were much more interesting, but the living carriers of this very colonial culture. The result is a film about people who live on the ruins of an empire.
About Russians living in Fergana, why they are not going to leave and what they see as the meaning of their presence on the land of Turkestan
London After Midnight (1927), directed by Tod Browning and starring Lon Chaney, is the most sought-after lost film by fans of fantastic cinema. Has this mythical treasure finally been found in an old South American cinema?
Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.
A documentary film about the three remaining generations of fishermen in the Aral Sea-- Their everyday struggle to survive in one of the most dire and inhospitable places on the planet.
Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.