Dancing not to be dead

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Cara-cola(en)

A light explodes and becomes a snail.

IMG 0000(en)

A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).

Miz Cracker's Favorite Haunts(en)

World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?

Waltz with Bashir(he)

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

A Poem for My Blanket(en)

Through a collection of home video footage, the filmmaker undergoes a journey of reconciliation and healing, grappling with their identity in the face of the past.

Logistics(xx)

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Two Travellers to a River(ar)

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.

The Beaches of Agnès(fr)

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Ferrum(sv)

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

Metamorfosi(it)

Metamorphosis is a real ballet dance on the rocks, interpreted by a great climber, Patrick Berhault, and set in the picturesque countryside of Cote d'Azur and the Lingurian coast. Berhault's evolutions, in the sea, in the grottoes, on the rocks and precipices, are exceedingly difficult but they are chiefly performed to give the movement an aesthetic value. Matemorphosis is the story of a cycle without words, narrated with gestures and music. The climber Monique Dalmasso also partecipates in the film.

Anhell69(es)

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

1/2 Man(ja)

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

Echo(en)

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

The Grass Dwellers(es)

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Several Successful Situations; Simultaneous & Successive(en)

I enjoy religion, I appreciate belief systems and how they offer structure to people's lives. I also appreciate how spirituality manifests itself in Asian cultures as this almost earthbound presence guiding people through every day life and when they need an extra bit of help they need only ask whichever deity holds dominion over their desire. Here is an experimental film I made with videos from my iPhone. Shot across Taiwan and South Korea. An experimental film I made with videos from my iPhone. Shot across Taiwan and Korea. My aim was to explore success in how it pertains to every day life, the satisfaction of small moments, spirituality, superstition, and daily rituals.

Here We Are(th)

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

Lugar de Nadie(es)

Cruiser(de)

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.

The Art of Liminal Spaces(en)

Liminal Spaces are the subject of a modern internet aesthetic portraying empty or abandoned places that appear eerie, forlorn, and often surreal. Directors such as Stanley Kubrick, Andrei Tarkovsky and David Lynch had mastered the art of liminal spaces, long before it became an internet aesthetic. This documentary aims to explore and demystify the strangely familiar world of liminal spaces.