Tingog sa Carbohanon

Making Dust(en)

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

Cruel Architecture, a Tool of Gentrification(en)

A short documentary shot in November 2021 in Berkeley. It reflects on the ethos of privatization in American culture and how public spaces are being built to exclude people through cruel architecture. The context used is the gentrification circle around the University of California Berkeley intended to build student housing. An eye-opening journey that explores structures and elements you would never have stopped at.

Quartiers sous tension(fr)

That World Is Gone(en)

Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.

Flag Wars(en)

Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.

Nemesis(de)

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

Dear Little Haiti(es)

A love letter to a place that will forever be home, a visual ode, and a farewell to a neighborhood that is rapidly changing due to the forces of gentrification and Miami’s housing crisis.

There's No Place Like This Place, Anyplace(en)

Over the course of over six decades, Honest Ed's became a Toronto Landmark. The neighbourhood it left behind when it closed its doors in 2016 reflects on its history and legacy.

Universam Grochów(pl)

Universam Grochów was a now-defunct shopping and service mall that emerged in the 1970s in Warsaw's Praga-Południe district. This department store functioned as a shopping center and a hub for the social life of right-bank Warsaw. At the end of 2016, the iconic building was demolished. The film captures the final moments of the enterprise, with long-term and dedicated employees guiding us through its corridors. Their approach to work and economic model make Universam a living museum and a phenomenon at the intersection of urban planning and sociology. We also see the significant void left in the local community by the building's demolition.

The Bannfoot Ferry(en)

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

There Goes the Neighborhood(en)

An extended Black family living in View Park-Windsor Hills, California experience changes due to gentrification and reflect on their shifting community.

Clarissa Uprooted: Youth and Elders Uncover the Story of Black Rochester(en)

Clarissa Uprooted depicts the Third Ward as a microcosm of Rochester’s—and many northern US cities’—history. From neighborhood camaraderie, international jazz music, and thriving black-owned businesses, to redlining, urban renewal, and other racist policies. The film features some of the elders who lived this history and the youth who are living with the consequences today.

Mijn Noord(nl)

The working-class Tuindorp Nieuwendam neighborhood in Amsterdam-Noord is like a village within the city. Many natives of the Northern Netherlands still live in the characteristically built houses, a unique variation on the Amsterdam School. With humor and Amsterdam directness, they share their stories about what's happening in their lives and in the neighborhood. Recently, a new generation of residents has also discovered the Noord district. How do residents view these changes and the neighborhood's transformation? Was everything better in the past, or are new connections emerging between residents, old and new?

We Came to Sweat(en)

Facing eviction the oldest black-owned gay bar in Brooklyn relies on a passionate community in its fight for survival.

San Francisco 2.0(en)

San Francisco has long enjoyed a reputation as the counterculture capital of America, attracting bohemians, mavericks, progressives and activists. With the onset of the digital gold rush, young members of the tech elite are flocking to the West Coast to make their fortunes, and this new wealth is forcing San Francisco to reinvent itself. But as tech innovations lead America into the golden age of digital supremacy, is it changing the heart and soul of their adopted city?

The Little Ancestor(xx)

An ancestral house builds itself, comes to life, and shows us its story spanning one hundred fifty years. Through the ages, it allows us to perceive the passage of time.

Two Doors(ko)

The documentary Two Doors traces the Yongsan Tragedy of 2009, which took the lives of five evictees and one police SWAT unit member. Left with no choice but to climb up a steel watchtower in an appeal to the right to live, the evictees were able to come down to the ground a mere 25 hours after they had started to build the watchtower, as cold corpses. And the surviving evictees became lawbreakers. The announcement of the Public Prosecutors’ Office that the cause of the tragedy lay in the illegal and violent demonstration by the evictees, who had climbed up the watchtower with fire bombs, clashed with voices of criticism that an excessive crackdown by government power had turned a crackdown operation into a tragedy.

My Brooklyn(en)

Director Kelly Anderson's personal journey as a Brooklyn 'gentrifier' to understand the forces reshaping her neighborhood along lines of race and class. The film reframes the gentrification debate to expose the corporate actors and government policies driving displacement and neighborhood change.

Work in Progress(es)

An author spends a year and a half filming what happens as a new apartment building is built in a neighborhood of Barcelona.

El apagón: Aquí vive gente(es)

“El apagón: Aquí vive gente” is a 23-minute film that explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.