Cüneyt
Hasan
Süleyman
Hayat Kadını
2024-09-25
0
An eight years old girl writes, on a little pink notebook, her sexual experiences with several men – presented to her by her mother.
One day, Pikachu and its friends are walking along when they suddenly fall through a Diglett hole and into Pokémon Valley, a secret location that no one knows about. Pikachu and its buddies tell the Pokémon that they could use some help looking for Togepi, who fell through the hole first. The group sets off and eventually finds Togepi in the Exeggcute nest—but one of the Exeggcute is missing. That leads the group on another hunt; this time, though, Pikachu and its friends come back to the nest empty-handed. That’s when a storm begins to brew, filling Pokémon valley with roaring thunder and gusts of wind that almost blow the friends—and the Exeggcute nest—away! Are the friends going to be able to keep the nest safe and reunite the Exeggcute?
A story like any other, about love, marriage, and passion fruits.
Pikachu and the gang learn responsibility, teamwork as well as cooperation during their Summer vacation at Pokemon Island.
"Fag End" is an astute representation of the metaphorical death of a mother. The movie revolves around a girl named 'Tania', a victim of smoking and alcohol abuse, going through the process of In vitro fertilization. When it comes to alcohol and smoking, an abuser is overlapped with the tendencies of both alcoholism and chain smoking wherein one is subjected to intense cravings, followed by untoward mental as well as physical detention. Things go downhill one morning, as she relapsed the night before and she suffers a miscarriage. Does it not leave us with the raucous screams of the unborn?
A man on a supermarket encounters a woman who tells him he reminds her of her late son.
This story is too complex and intricate to describe in a few lines of text. Watch this video and see for yourself! Show it to your kids. Show it to friends at church! Make sure your kids watch it! Talk to your partner about "Snake" by Drop The Root Beer and Run. Your kids may be lying about already having watched this video!
At a giant beachside mansion, Pikachu and some of its buddies decide to play a game of hide-and-seek. Pikachu is “it,” and it goes off in search of its friends. Meanwhile, Larvitar, sick of being all by itself, kicks a rock in anger. The rock hurtles through the air—and hits a lawnmower, turning it on and sending it tearing off after Pikachu and its friends! The group draws the lawnmower into a maze and even gets it into the water, but the lawnmower just keeps on chasing. The Pokémon build a road out of logs, hoping to get the lawnmower into a shack, but Psyduck trips and ruins the whole setup. How will the friends ever escape the lawnmower? This fantasy will have you on the edge of your seat!
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
Mandana is a woman who tries to do well. Between two classes and a coffee, she tells us about her commitment as a visual arts teacher for young students in vocational training. Her acceptance of the camera allows us to follow her in her daily life and to discover her from several angles. Despite her smile, we perceive a modest artist to expose her works.
Melanie is obsessed with the life of her possible donor father. Is she looking for a future or a past with him?
A young woman forms a bond with three elderly shopkeepers when she teaches them how to swim - even though there are no bodies of water to be found.
Designing artificial relationships between found or stolen elements is a technique that seeks to discuss found footage. Credere a tutto tells about houses and living beings and has developed by intertwining ancient photos, a text, a film sequence and original video footage. Materials that take on time, space and new meanings within the expanded vision of the so-called “spectators”. A techno music session while séances and panoramic views of derelict houses question us about what we see and what we cannot see.