Esconde-Esconde

Plenty of Space in the Fridge(en)

Jack's life (and kitchen) is turned upside down when his fridge begins to talk to him.

Himmeltelefonen(da)

A young woman uses a strange telephone service to leave messages for her departed brother.

Again(en)

A dancer falls. Can she get back up?

What Makes the Ride Worthwhile(en)

A short film shot on 16mm about memory, grieving, and siblinghood.

Sunday Girls(en)

On October 26 1984, an afternoon for three girls takes a thrilling and rather mystical turn after following a peculiar boy into the surrounding forest of their college town.

Hi, Sierra(en)

When a cinephilic line cook, Hogan, meets Sierra, the girl of his dreams, he must navigate his past trauma and deal with the truth behind his father’s absence.

Angh(en)

In 1960s Nagaland, a proud Konyak chief struggles to protect his dying traditions when an American missionary arrives with promises of aid that threaten his people’s identity. As his wife’s health deteriorates and famine looms, he and his mute son must make an impossible choice between survival and staying true to their ancestral ways.

Ted Stevens and Richard Nixon in D.C.(xx)

In a courtyard somewhere in Washington D.C., Senator Stevens walks and talks with President Nixon in this brief silent color film.

Fulano de Tal(pt)

Last Night at the S&S Diner(en)

Story about the last original "American Diner" in Miami, Florida. Since 1938 the S & S has been owned and operated by the family of the present owners, Charles and Jean Cavalaris. The S & S Diner is the ubiquitous Miami landmark on Northeast Second Avenue, known for serving large portions of homestyle food.

The Bannfoot Ferry(en)

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

A Train Arrives(de)

A woman is chased by the wind of an arriving train. What follows is a visual ride – the camera becomes a protagonist of the film itself. The levels of inner film reality and the film material influence each other more and more to the point of physical destruction.

Luz ígnea(es)

Front and Back(en)

Slide-show of genuine postcard 'fronts' set to readings of their 'backs.'

Dear Friends(en)

A satirical look at suburban life via the "family Christmas letter."

4 Graves for Ximena(en)

Ximena adds three more graves, a martial arts short shot on 16mm film. Nominated for Best Short.

Squatter(en)

A squatter spends his days with his dog in a decrepit, abandoned house until a discovery entices him out.

if you seek amy(en)

Distortions and deconstructions of Y2K pop stars' seductive images and iconic hits.

MORE BEAUTIFUL PERVERSIONS(en)

A disillusioned teenager in the city follows a stranger to The Woods, and ends up learning about plants, their queerness, and a more beautiful purpose.

The Red Gate: Magellan at the Gates of Death, Part I(en)

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins