The Meltdown Memoirs

Electric Boogaloo: The Wild, Untold Story of Cannon Films(en)

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

Cabin Fever 2: Spring Fever - Behind the Scenes(en)

'Old Yeller': Remembering a Classic(en)

Short documentary on the making of the Disney classic.

Shaft: Still the Man(en)

Inside Traffic: The Making of 'Traffic'(en)

Two, Three Times Branco(fr)

Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.

Fernando Birri, el utópico andante(es)

Documentary film about Argentinian filmmaker Fernando Birri. An interview: a journey through documentary filmmaking, his childhood, the dawning of New Latin American cinema...

Jorge Prelorán, el cine de un humanista(es)

Jorge Prelorán was one of the most prolific documentary filmmakers from Argentina. This documentary presents an interview which focuses on his creative work, and on how his ideas about documentaries are key in the uniqueness of his topics and characters.

Tax Shelter Terrors(en)

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

Invisible Stories(es)

This documentary rescues the valuable work of Martha Colmenares, an indigenous woman from the Zapotec highlands, who in the 1980s filmed the life and customs of her own community, becoming a pioneer of indigenous documentaries. And for the first time, her forgotten story, for forty years, will no longer be invisible.

Un film (autoportrait)(fr)

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

Andrey Zvyagintsev. The Director(ru)

Portrait of director Andrey Zvyagintsev against the background of the filming of his film "Loveless".

The Making of 'Red Eye'(en)

Linda Joy(en)

A beautiful and vital film that tells the story of a young woman's fight with death.

Take 2(en)

Short film by Sandi Mitchell showing footage of the ruins of the NFB's Halifax office after it was destroyed in a fire in 1991.

Cabin Fever: Beneath the Skin(en)

Boundless(cn)

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

The Making of a Mobster: 'Mickey Blue Eyes'(en)

Cannes : Palmes, scandales et tapis rouge(fr)

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

Room 999(fr)

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”