Woman
Adapted from the acclaimed short story by Man Brooker Prize Nominee Sarah Hall. The Agency is a modern and stylish take on middle class female empowerment, amidst the social sub-culture, described collectively as "ladies who lunch". Disillusioned with a decade of domesticity, housewife Hannah Baines (Ania Sowinski), is befriended by an enigmatic older woman Anthea (Lesley Manville,) who introduces a select and seductive inner circle of women. In confidence, Anthea recommends a private and reliable company who "can set up something marvellous" for her. Hannah contemplates the implications of attending her initial consultation, at The Agency.
Taken in by the musical world as a young orphan, Rick Martin grows up with a desire to play pure jazz instead of the commercial gigs he lands, whilst also coping with the problems caused by his tempestuous marriage to an aloof heiress.
Inada plays Betty Yoshida, a singer and dancer from America who arrives in Japan to go on tour, only to be swindled by scheming managers. Penniless and cast to the streets, Betty is taken in by Oki (Nakagawa), a talented tap dancer who introduces her to a group of struggling musicians living and working together.
Mick and Kev, teen Irish lads, are at the shore, throwing rocks at empty cans, drinking cider. Mick's the pushy one, engaging Kev in a game of mumbly peg, his hand on top of Kev's, fingers splayed. As Mick moves the knife between their fingers, a train is heard approaching. What's Mick's purpose?
A stowaway from Sierra Leone ends up as an asylum seeker in South-Wales
Hsiao-Kang, now working as an adult movie actor, meets Shiang-chyi once again. Meanwhile, the city of Taipei faces a water shortage that makes the sales of watermelons skyrocket.
An impoverished girl tries to sell matches on NYE. Shivering with cold and unable to sell her wares, she sits in a sheltered nook. Striking a match to keep warm, she sees things in the flame.
A night film adapted from the story of Ghada al-Kamiliya produced in 1942 and directed by Togo Mizrahi
"Where The Rainbow Ends" - Mikael Persson is about to realize his dream, a great musical with some of Sweden's foremost artists and with himself in the lead role. But just weeks before the premiere the Swedish Enforcement Authority knocks on the door and throws Michael and his family out on the street. He and his fiancee Catti resort to all means to save his life's work and they get unexpected help from the past.
Erik, the son of a wealthy farmer, and Anna, the daughter of a poor crofter, have known each other since they were children. Now, that they are grown up, they love each other, but their parents won't let them have each other, since their families are enemies. Erik's father wants him to marry a rich girl instead and when Anna hears about this, she falls ill and even starts to show signs of insanity. Will the two have each other or will everything go wrong?
Left to their own devices in the middle of summer, Malo and Zoe try with all their might to attract their mother's elusive attention.
An old man, almost deaf, observing and listening to hospital patients. A 12-year old boy, with a pain-insensitive disorder, feeling like a super hero. A nurse, who lost all sense of smell, treating wounded soldiers during WWII. A mute man about to become a father. And a young lad into a coma surrounded by his owns. Five stories in one film, five characters facing their disabilities.
The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.
When Paul (Chris Petrovski) refuses to leave, Benny's (Mat Vairo) easy night of sex and drugs takes a strange turn in this sixteen minute single take film exploring notions of male-on-male intimacy, sexuality and violence.
At night, a young thief boldly breaks into an empty office, but his petty theft goes unexpectedly wrong.