
The artists Zhanna Kadyrova and Denys Ruban spent two weeks in the basement of their house, fleeing from the rocket attacks and sabotage groups of the occupiers that were flooding the outskirts of Kyiv at the time, and then decided to evacuate to western Ukraine. Local residents of one of the Zakarpattia villages sheltered them in a picturesque house on a hillside, next to a river. Doing what you know and love for the benefit of Ukraine is the best thing an artist can do in times of war. This is how the Palianytsia project was born - a series of objects made of stones cut by a mountain river. Zhanna sells them to patrons and galleries and uses the proceeds to buy bulletproof vests, radios, thermal imagers and other things our soldiers need. Before she sends her ‘loaves’ to Venice for the Biennale, Zhanna holds an exhibition in the village where she now lives, so that the people who have taken her in can be the first to see her art.
2022-05-08
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7.8Filmmaker Olly Lambert spends two months on Ukraine’s southern frontline with volunteer special forces as they begin the push to capture Kherson. The film follows “Hummer”, an experienced military commander who now finds himself a chaperone to completely inexperienced forces on the frontline.
0.0Bombed-out streets, destroyed Russian tanks, evening meals in an Underground repurposed into a shelter. Image by image, the directors push beyond easily reproducible images of war to enter the reality the country has experienced since February 24, 2022.
7.7For five teenagers living in the conflict-ridden Donbas region of Ukraine, a Himalayan expedition provides a brief escape from reality. A portrait of a generation that, in spite of everything, is able to recognise and celebrate the fragile beauty of life.
8.0As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
8.3The unique testimony of the tragic events and crimes of russia through the eyes of Ukrainians, which the entire world must see and feel. Film was created from 200 hours of chronicles: survival, resistance, and life during the war. Every minute was filmed by Ukrainians with their mobile phones. Each story in the documentary is a film captured and filmed by Ukrainians on their devices.
8.0A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
7.5The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.
0.0When Russian armed forces invaded Ukraine, Moldovans raced to the borders to assist refugees, offering warm food, rides, and shelter. At the same time, a group of Moldovan filmmakers formed an ad-hoc film collective to document the unwavering efforts of volunteers and the fate of refugees through multifaceted lenses. Despite these acts of solidarity, a segment of the population's Soviet nostalgia fuels a growing fear that the country could be drawn into the war.
0.0Russia's full-scale invasion of Ukraine has changed the lives of every Ukrainian. Formerly bankers, IT workers, cultural figures and others have become military personnel and volunteers, people resisting the greatest threat to peaceful life in all of Europe.
7.4The film looks at people transformed by a democratic revolution, who give up their normal lives to fight a Russian invasion, in a war which has killed 10,000 and displaced 1.9 million Ukrainians.
8.0Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
0.0Director, choreographer, actress, singer – the usual professional roles for the heroines of this film stopped working at the beginning of Russia’s full-scale invasion of Ukraine. Like millions of Ukrainian men and women, who were saving themselves and their loved ones and volunteering. Creative pursuits returned later, but now in a new dimension. Iryna, Olena, Oksana, and Maryna became the voices that tell the world about Ukrainians, their culture and their struggle for freedom. But how can one be heard in a world where Russian propaganda has been spread for centuries?
0.0From the Revolution of Dignity to full-scale war: successful Ukrainian film producers took up arms to defend the country and cameras to record the gruesome reality. From the fragments of memories and their own film archive, veterans Pavlo and Yurko assemble a mosaic of the causes and consequences of today's Russian-Ukrainian war - from the end of 2013 to today. The authors went to the front as volunteers, visited the hotspots of Donbas, created the home-made drone "Furia", which is now named after one of the best air reconnaissance units. And all this time they continued to create in order to show the world the truth about the terrible war that became possible in the 21st century.
6.9One year after the beginning of the full-scale Russian invasion of Ukraine, philosopher Bernard-Henri Lévy takes us to the heart of the combat through this war diary made during the second half of 2022. From Kharkiv and Bakhmut to Kherson, in the aftermath of the city’s liberation, this documentary bears witness to the ravages of war through the testimonies of soldiers, chronicles of the front and portraits of civilians, and shares with us the struggle of the Ukrainian people.
0.0The story is not only about Ukrainian museums during a full-scale war, but about the survival of our culture in general. The occupiers are trying to destroy it and steal it, but thanks to museum workers, it is not only being protected, but also multiplied.
6.0This is a story about the Ukrainian comic book industry. The authors introduce the audience to a still little-known and under-appreciated art form in Ukraine - drawn stories. Where did this art come from? When did it appear in our country? What forms did it take in the Soviet era and how did it change in the first years of independence?
6.8A Polish vehicle traverses the roads of Ukraine. On board, people are evacuated following the Russian invasion. This van becomes a fragile and transitory refuge, a zone of confidences and confessions of exiles who have only one objective, to escape the war.
0.0A man hikes through late-winter woods. Russia invades Ukraine. It’s difficult to reconcile the scales of action described by those sentences, but this difficulty is what John Gianvito dwells on in his new video. It may simply be that this is a diary, movingly plain and provisional in construction, which recounts what its author did for a few months last year: he watched a war on the internet and went outside. Even if that’s true, such a description makes Gianvito’s images seem less strange than they are