My Fathers' Daughter
Top 7 Billed Cast
Elvira
Beate
Terje
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Biru Unjárga - svensk trailer - Trailer
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During summer 1979, Ester moves to Alta in Northern Norway to begin teaching at an elementary school. Like many Sámi at the time, she is ashamed of her heritage and conceals her ethnicity. Ester goes to great lengths to fit in, even joining in with the derogatory jokes. When her cousin Mikkhal takes her to a camp by the Alta River, where people are demonstrating against the building of a dam, Ester learns how the fight for the river is also a revolt against the years of brutal racism and discrimination against her people. After a major confrontation with the police, Mikkhal and some other Sámi decide to go to Oslo to hunger strike in front of the Parliament. Knowing what is at stake, Ester realises it is time to make a stand…
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Je'vida(fi)
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Sire and the last summer(se)
The year was 1916, we follow Sire’s everyday life, until her final moments. We are a part of her little world and get to see how big that little world can be. How rich it’s in emotions, sounds and memories. Sire reminds us of life, not death. She was my Máttaráhkku, great-grandmother, and my grandfather was 10.
Bogland(se)
Why are gooseberries so much more valuable than deer trees and why did the Sami men lay naked on the marsh in the past? How do you respond to a mock execution and what is actually panic attack? Ella and Moa are two girls with more questions than answers and during a summer night they approach a little cautiously of their Sami origin. —Jonas Selberg Augustsén
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Eatnameamet – Our Silent Struggle(fi)
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Sami glasses(en)
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Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.
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The Princess Lindagull(sv)
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