Universes

Aurum iter(pt)

Aurum Iter is a cinematic journey that delves into the depths of the visual and sonic, challenging the boundaries of traditional storytelling. Inspired by the minimalist essence of "Koyaanisqatsi", the short film invites viewers into a unique sensory experience where King Crimson's music intertwines with the visuals. Without dependence on words, the film reveals the fascinating interaction between humanity, exploring the intrinsic beauty and complexity of the world around us. As the visuals unfold before the viewer's eyes, an invitation is issued to contemplate society's impact on humanity and our never-ending quest for harmony with the environment. In Aurum Iter, I invite viewers to a poetic meditation on life, the interconnectedness of all things, and the urgent need to preserve the delicate balance between man, nature, and the body itself.

I Wanna Be a Kid(en)

Time(en)

Then, now, where? how?

Sausage City(en)

Sausage City illustrates Beckett's additive cycle process. Constantly evolving rectangular shapes provide a foundation for an environment inhabited by mutating blobs - or sausages. Sounds and shapes create a moving space that teeters on the edge between control and chaos. The ending is somewhat mystifying, pulling us out of the surreal environment and revealing its origins. Preserved by the Academy Film Archive in 2007.

O Tempo Passa(pt)

Duelo(en)

The short film follows Endika, a director who, in the midst of a clash with his reality, transforms a documentary about paternal absence into a personal quest for reconciliation with his own father.

Aesop Takes a Walk(ro)

Experimental animation film, with a visual focus on geometrical shapes and straight lines

Lonesome(en)

Zach, a 16-year-old, endures his internal emotional struggles on one saturday.

Obsolescência do Cansaço(pt)

A student videoperformance about a group of emotions of a girl in a ritual of tiredness and it’s obsolescence.

MMM(en)

A spec observation showcasing the movement, shutters, and potential thoughts

Last Room(fr)

Being in a Place: A Portrait of Margaret Tait(en)

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

Making the Nature Scene(en)

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

How I'm Goin' Public(en)

A single-channel, nonlinear performance video and diegetic sounds. Exploring the ground of the reenactments of intimacy and the public display of these reenactments through video projections.

Filming Destination(pt)

A camera tries to create a love story using lost videos on his memory card, but fate transforms these files into those of his ancestors who gave him life through a ritual. Magic, Surrealism and Queer Sexuality in the eyes of cinema now alive.

Herkules(de)

House(ja)

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.

3/60: Trees in Autumn(de)

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

1888(kn)

When Demonetization (currency ban) is announced in India, 3 unlikely characters come face to face for a bag of cash. After that a car journey begins and some more characters come into picture. This results in a cat and mouse game with a very unexpected outcome.

Lost In The Shadows(en)

A young man who is still living at his parent’s house wakes up in a very strange situation in the middle of the night. The house is dark and there is no trace of his parents. He searches for them and tries to find out what happened…