Key cast
Key cast
Where daily practices become ritual, repetitive, looped, and sequenced. A transatlantic, experimental Hip-Hop collaboration between Germany & Cuba
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In 1940, the German artist Charlotte Salomon (1917-43) undertook an extraordinary artistic adventure, during which she combined painting, text and music: in only eighteen months, she painted more than a thousand paintings. In 1943, she was arrested by the Nazis and sent to the Auschwitz extermination camp.
Mae West achieved great acclaim in every entertainment medium that existed during her lifetime, spanning eight decades of the 20th century. A full-time actress at seven, a vaudevillian at 14, a dancing sensation at 25, a playwright at 33, a silver screen ingénue at 40, a Vegas nightclub act at 62, a recording artist at 73, a camp icon at 85 - West left no format unconquered. She possessed creative and economic powers unheard of for a female entertainer in the 1930s and still rare today. Though a comedian, West grappled with some of the more complex social issues of the 20th century, including race and class tensions, and imbued even her most salacious plotlines with commentary about gender conformity, societal restrictions and what she perceived as moral hypocrisy. Mae West: Dirty Blonde is the first major documentary film to explore West's life and career, as she "climbed the ladder of success wrong by wrong" to become a writer, performer and subversive agitator for social change.
Thirty years after recording "Rapper's Delight," Master Gee & Wonder Mike come back to reclaim their identities and rightful place in Hip Hop history.
Additional materials for "Major Grom: Plague Doctor" (2021).
The nuns of the Anglican Benedictine Community at St. Mary's Abbey, West Malling, reflect on their calling and the joys and challenges of their way of life. In this short documentary, directed by Jamie Hughes, the nuns' voices are complemented by images from the life of the Abbey.
Documentary about the making of John Carpenter's sci-fi horror movie, Ghosts of Mars.
A documentary that shows us the experiences, and experiences of a group of young people who have been wanting to achieve their goal for years; winning the European urban dance championship. After 12 years of trying, they succeeded in May 2022. After this they qualified directly for the world championship but due to the high budget that is necessary for the trip, they could not attend.
A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
Extract of rushes from the unfinished documentary project written and produced by Henri Langlois on Marc Chagall.
At the bottom of the world is a place of wild isolation. Antarctica. Its vastness and extremes defy description. From volcanoes to glaciers... and peaks that scrape the sky, its geography is like nothing else in the world. Its wildlife embraces harsh, alien landscapes. And the people that make their home there for part of the year survive amidst unbelievable conditions, thanks to some of the most creative problem-solving on the planet. Filmed principally in the Sub-Antarctic and Ross Sea region as a series of vignettes - each based around one astonishing location after another - viewers will explore one of the most remote, and least-visited parts of the continent; less than 500 tourists make the journey to this region each year. Few places on earth capture the imagination like the great white continent. Now see it as it’s never been viewed before.
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
These children live in the four corners of the earth, but share the same thirst for learning. They understand that only education will allow them a better future and that is why, every day, they must set out on the long and perilous journey that will lead them to knowledge. Jackson and his younger sister from Kenya walk 15 kilometres each way through a savannah populated by wild animals; Carlito rides more than 18 kilometres twice a day with his younger sister, across the plains of Argentina; Zahira lives in the Moroccan Atlas Mountains who has an exhausting 22 kilometres walk along punishing mountain paths before she reaches her boarding school; Samuel from India sits in a clumsy DIY wheelchair and the 4 kilometres journey is an ordeal each day, as his two younger brothers have to push him all the way to school…
Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.
Twiggy takes a comprehensive look at the life story of UK model and cultural icon Twiggy, real name Lesley Lawson, whose career kickstarted in the 1960s. It features interviews with Twiggy and her husband Leigh Lawson, as well as commentary from Erin O’Connor, Paul McCartney, Lulu, Poppy Delavigne, Brooke Shields, Pattie Boyd and Zandra Rhodes.
„Sookee - Von Seepferdchen und Schränken“ is an intimate portrait of Sookee, a queer-feminist rapper and activist, who has been fighting sexism, homophobia and racism in German hip hop culture.