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Learn the terrifying, true story about thirteen months that changed history! In November of 1966 a car full of kids encountered a creature unlike anything they'd ever seen before. In the weeks and months to follow, the monster – now known as The Mothman – was sighted again and again on country roads and around the state of West Virginia.

The Society of the Spectacle
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The Society of the Spectacle(fr)

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For three decades now, Qatar, this small desert kingdom, has not stopped being talked about; because of its financial power and the secrecy that surrounds it, the royal family that runs it fascinates as much as it frightens.

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Dogtown and Z-Boys(en)

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This award-winning, thrilling story is about a group of discarded kids who revolutionized skateboarding and shaped the attitude and culture of modern day extreme sports. Featuring old skool skating footage, exclusive interviews and a blistering rock soundtrack, DOGTOWN AND Z-BOYS captures the rise of the Zephyr skateboarding team from Venice's Dogtown, a tough "locals only" beach with a legacy of outlaw surfing.

545 days - Prime Minister of the regime change
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Miklós Németh was one of Hungary's most popular politicians at the time of the regime change, and decades later, many encouraged him to come back and become prime minister again. But he withdrew. And not only from public life, but also from the public. However, 30 years after the declaration of the republic, he made an exception with the RTL Club and said yes to our request. He shared his personal memories in front of the camera, talked about successes and failures as well. From the interviews with him, the XXI. 20th century viewers could already see details, for example, about the dismantling of the Iron Curtain or the release of the East Germans. From the documentary 545 Days _ The Prime Minister of the Regime Change, we show from his point of view,

There Is No Authority But Yourself
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There Is No Authority But Yourself(en)

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Sound of the Soul
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Sound of the Soul(en)

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SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.

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A, B, C... Z
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For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

Risky Business
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Risky Business(en)

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The 11th Hour
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The 11th Hour(en)

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Surviving 9/11
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England 79(en)

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The follow-up film to “Barstow, California” takes us to the mountains of Miyama, a remote forest and tourist area north of Kyoto. Uwe Walter, a shakuhachi player from Germany, lives there with his wife Mitsuyo for 30 years. Together with the villagers he prepares the annual Gion Festival. On the eve of the festival, the village representatives tell him that his self-built studio is to be demolished. This brings back memories for him of earlier times and his first steps as a Nō actor. In the manner of a fresco, the film interweaves rural depictions of everyday life with the story of its German protagonist. In the village community with its togetherness of generations, Uwe shares life with his neighbours, with farmers, hunters, woodsmen, poultry farmers and anglers, tills his kitchen garden, and like other tradition-conscious villagers, he also grows his rice. The film shows them in a harsh mountain landscape between the rainy season and the first snow.

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Zombies in the Sugar Cane Field: The Documentary
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Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.