El Otro Lado

Spare My Bones, Coyote!(en)

For the last twelve years, Marisela and Ely, along with the volunteer group The Águilas del Desierto have roamed the US-Mexico desert. Their goal: to seek, find and return to their families the bodies of migrants who died while crossing on foot. This all-consuming calling takes a crushing toll on them, but how could they stop? Spare My Bones, Coyote! follows their work, dedication, and difficult lives they have chosen to live.

Mr. Trump, Pardon the Interruption(es)

An analysis of the impact on the United States Latino community of immigration policies promoted by President Donald Trump.

Phantoms of the Sierra Madre(en)

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

MARABOU(el)

Reginald D. Hunter's Songs of the Border(en)

Against the backdrop of President Trump's much-trumpeted wall, Reginald D. Hunter takes a 2,000-mile road trip along the US-Mexico border to explore how romance and reality play out musically where third-world Mexico meets first-world USA on this broken road to the American dream. Classic American pop and country portray Mexico as a land of escape and romance, but also of danger; Hunter explores the border music as it is today, much of it created by musicians drawn from the 36 million Mexican-Americans who are US citizens.

Which Way Home(en)

Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.

Cartel Land(en)

In the Mexican state of Michoacán, Dr. Jose Mireles, a small-town physician known as "El Doctor," shepherds a citizen uprising against the Knights Templar, the violent drug cartel that has wreaked havoc on the region for years. Meanwhile, in Arizona's Altar Valley—a narrow, 52-mile-long desert corridor known as Cocaine Alley—Tim "Nailer" Foley, an American veteran, heads a small paramilitary group called Arizona Border Recon, whose goal is to halt Mexico’s drug wars from seeping across our border.

Salidas y Entradas | Exits and Entrances(en)

For the three-channel video Salidas y Entradas Exits and Entrances, artists Jessica Hankey and Erin Johnson worked with applied theatre facilitator Gina Sandi Diaz to offer performance workshops at public daytime senior centers managed by the city of El Paso’s Parks and Recreation Department. With the senior center as a stage, the elders who participated in the workshops enacted social, political and geographical imaginaries for the camera. Through improvisation and performance exercises drawn from the work of Viola Spolin and Augusto Boal, themes emerge: the dynamics of the U.S.- Mexico border, the desire to be seen, the role of musical storytelling as a soundtrack to daily life, power dynamics, and gender as performance. As the boundaries between rehearsal, improvisation, and performance blur, the ways in which individual lives and sociopolitical realities merge together are foregrounded.

Refuge(e)(en)

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

Borderlands(en)

With shared economic, environmental, and humanitarian concerns, communities of local planners, designers, and citizens work toward cross-border collaboration. Ronald Rael, an architecture professor, takes an opportunity to use art to prove the uselessness of building borders.

Birth on the border(es)

One million people legally cross the U.S.-Mexico border every day in both directions. Among them are women from Ciudad Juárez who cross to give birth in El Paso, Texas. Even with visas that allow them to cross, their journeys are uncertain. Gaby and Luisa, two women from Ciudad Juárez, cross legally into El Paso, Texas, in order to give birth. Two Chicana midwives in El Paso, Lina and Sandra, support the women who cross. After living through the extreme violence that engulfed Ciudad Juárez from 2008-2012 and with the looming threat of obstetrical violence in Mexican hospitals, Gaby and Luisa choose to cross, seeking a safer future for their children and the opportunity for natural childbirth with midwives. They risk losing their visas, getting turned back, and harassment at the hands of U.S. Border Patrol. Against the backdrop of oppressive U.S. border policy, these women's stories of risk and resilience reveal the complexities of life on the U.S.-Mexico border.

Someday It Will Fall(en)

From the mouth of the Rio Grande to the beaches of Tijuana, two girls play on separate ends of the U.S. Mexico border thousands of miles apart.

Borderland(en)

A powerful set of stories of “righteous persons” taking action along the U.S.-Mexico border, motivated by moral conviction and compassion. "Borderland" shows how courageous actions can lead to political mobilization and the defense of human rights in the face of hate and discrimination.

The Beast(es)

Each year, hundreds of Central American migrants try to cross the northern border of Mexico on the freight train known as the Beast. That trip is usually the most dangerous journey of their lives. On the road many lost their dreams, their body parts and even their lives. Crossing Mexico is their biggest challenge, here are victims of discrimination, violence and even murder. This film portrays the suffering of those people who travel in search of a better life.

ALTAR: Cruzando Fronteras, Building Bridges(it)

Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.

American Ocelot(en)

American Ocelot tells the story of one of the most endangered and beautiful wild cats in the United States — a species so elusive that high-quality images and video have never been captured until now. With fewer than 100 individuals remaining in the US, the ocelot is critically endangered, genetically isolated, and only exists in Texas.

The River and the Wall(en)

Five friends embark on a 1,200 mile journey along the US-Mexico border from El Paso to the Gulf of Mexico to learn first hand what effect a border wall will have on the natural landscape and the wild animals roaming the land.

On the Road with Mary(fr)

Why don't we do something to ease the suffering of the poor, the excluded? Because we live in fear of "the other," the stranger. Filmed a few months before the 2004 presidential election, On the Road with Mary is a gripping view of an America living in fear. From a miserable neighbourhood in Detroit ravaged by crack and violence, to the militarized border with Mexico, this potent road movie exposes the unbearable other side of the American Dream.

Amexica: Life in the Borderlands(fr)

A road trip, over ten years, across the so-called Amexican border, a mythical boundary, both physical and cultural, that separates the United States of America from the United Mexican States; a journey in search of the multiple stories of those who inhabit it or are passing through: an audacious expedition that aims to paint a colorful fresco where politics, violence, visual poetry and frustrated ambitions cruelly coexist.

Critical Incident: Death at the Border(en)

Revisits the 2010 death of Anastasio Hernández-Rojas, an undocumented Mexican immigrant who died while in custody at the border. When eye-witness video emerges, it sparks a far-reaching investigation from a border checkpoint to Washington D.C. CRITICAL INCIDENT chronicles journalists’, lawyers’, and family members’ efforts to explore the Border Patrol’s involvement in the incident, ultimately pointing to cover-ups, and uncovering the existence of a little-known unit inside the agency that had been involved in other border related incident.