Yaa Ye'e: Quartz Deities

Machine Plate(es)

Little Foxes(es)

Noemí, an Ayuukjä'äy woman reflects on the loss of her native tongue with a voice that blends into day to day life in Cerro Costoche community located in the Mixe mountain rage of Oaxaca.

Invisible Stories(es)

This documentary rescues the valuable work of Martha Colmenares, an indigenous woman from the Zapotec highlands, who in the 1980s filmed the life and customs of her own community, becoming a pioneer of indigenous documentaries. And for the first time, her forgotten story, for forty years, will no longer be invisible.

Peyote to LSD: A Psychedelic Odyssey(en)

Plant Explorer Richard Evans Schultes was a real life Indiana Jones whose discoveries of hallucinogenic plants laid the foundation for the psychedelic sixties. Now in this two hour History Channel TV Special, his former student Wade Davis, follows in his footsteps to experience the discoveries that Schultes brought to the western world. Shot around the planet, from Canada to the Amazon, we experience rarely seen native hallucinogenic ceremonies and find out the true events leading up to the Psychedelic Sixties. Featuring author/adventurer Wade Davis ("Serpent and the Rainbow"), Dr. Andrew Weil, the Grateful Dead's Bob Weir and many others, this program tells the story of the discovery of peyote, magic mushrooms and beyond: one man's little known quest to classify the Plants of the Gods. Richard Evans Schultes revolutionized science and spawned another revolution he never imagined.

Copal Dreams(es)

The communities of San Martin Tilcajete and San Antonio Arrazola in Oaxaca, Mexico are best known for being the main source of the "Alebrijes" (wood carving) in the state; a relatively new but powerful tradition in mexican folklore. In both communities, there is a family that claims they're father started this tradition in all the state of Oaxaca.

The Path of the Dead(es)

The Day of the Dead is one of the most deeply rooted and celebrated traditions in our country and when this festivity takes place in a magical town, the event becomes something memorable. The Day of the Dead tradition in Huautla de Jiménez, Oaxaca begins on October 27 with the arrival of the chá to xo´o´ and the celebration lasts six days. Hand in hand with its inhabitants, we will take a tour to witness all the colors, smells, flavors, sounds, textures, and visions that surround this ancestral festival and that of the Mazatecs.

Takeda(es)

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

The Studio of Sofía Fernández Díaz(en)

México-raised and currently Chicago-based artist Sofía Fernández Díaz details her process of adorning found objects and handmade textiles with beads, dyes, and melted wax to imbue them with new meaning, and to give them patitas.

Tremor(es)

The anguish a woman experienced on the night of September 7, 2017, caused by the 8.2 magnitude earthquake that struck southern Mexico and the danger of another impending disaster.

Oaxacalifornia: The Return(en)

The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

Little Injustices: Laura Nader Looks at the Law(en)

Anthropologist Laura Nader's first field trip to a Zapotec Indian village in Oaxaca, Mexico, in the late 1950s, led her to study problem-solving in the local courts. There, "little injustices" were the meat of everyday courtroom life.

The Zapotec Chef(es)

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

Ñuhu: Sacred Beings(es)

Encouraged by the polychrome onirism of the Ñuine land, Desiderio (58), a farmer from the south of Mexico, offers an offering to the Tupa, the ancient spirit of the hills to whom his grandparents went to to ask for rain and harvest. At nightfall, as he rests at the foot of a campfire, that mysterious being guides him to the core of an ancestral memory.

Aftermath(es)

Documentary about the aftermath of the earthquake that shook Juchitán, on the Mexican Pacific coast. It tells the story of Dxani -muxe seamstress- and Jacinto -mason- and how their lives were radically changed by the strongest earthquake that hit this community; and the poor response of the corrupt authorities.

Lupita(es)

In Mexico, a country where indigenous people are increasingly displaced and discriminated against, Lupita, a survivor of one of the worst massacres in the country’s history, finds her voice in a movement led by indigenous women. The film intimately follows Lupita, a Tzotzil Maya woman, as she takes on the responsibility to be the spokeswoman of her people. Part lyrical testimony, part tribute to 500 years of indigenous resistance, this film mediates the point-of-view of a brave woman who must balance the demands of motherhood with her high stakes choices to reeducate and restore justice to the world.

Corazón Oaxaqueño(es)

Nudo Mixteco(es)

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

Buongiorno natura(it)

A weekend in the mountains.

What the Wind Took Away(ku)

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

Amal(ar)

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.