rushes

Reverie(en)

An experimental portrayal of being adrift in a daydream.

Aleph Null(en)

Recording of video processing feedback which was "performed" live to the music of The Soft Machine.

Full Moon(en)

Designed for continuous single or multiple monitor display (as well as video projection), the tape is a collection of computer animated sequences of celestial images spanning time and cultures, moving objects and images in harmonic choreography and spatial play.

47 Days, Sound-less(en)

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Killer Girl, Odyssee III(en)

In 1989, Jun-Jieh Wang enrolled in Hochschule der Künste, Berlin, a year when the Berlin Wall was pulled down and the fall of Communism in the communist states of Central and Eastern Europe and beyond. He was astonished by these dramatic events. Several issues concerning politics, ideologies, aesthetics as well as the forms, market and power of art had been preying on his mind for so long that he lost the ability to make artworks and even questioned the value of the existence of art. His passively reactionary state of mind in this period was clearly reflected in the works simulating low-quality B-movies or TV programs, such as Killer Girl, Odyssey III (1990), Love, Die, Daredevil, Odyssey IV (1991).

Toll of a bell(zh)

Chen Cheng-Tsai works primarily in video art, photography, and mixed media installations. This work was created during his postgraduate studies in Germany. The trees rotate 360 degrees, and the artit's face reflected in the water, distorted by the ripples, iss overlapped by the trees. The sound of a bell also plays a continuous rythm.

The Glass II(zh)

A ritual about"memory". The words and phrases written on the paper are easy to understand but difficult to define, substituting the usual " incantations to gods". The spat out red matter suggests kind of "refusal". This kind of "nauseous" mixture combined with these moods represents a space : a space for painting.

Immensity(en)

A look at the evolution of life and finding our purpose.

What We Never Forget For Peace Here Now(en)

What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.

Study No. 8(de)

An experimental short from Oskar Fischinger

Urute vv(pt)

An intimate glimpse into 3 years of serene moments, compiling video, polaroids and other things that were lying around when editing.

Iklonom's Heavy Machinery(en)

Experimental film about a guy that really likes to read books in the forest.

MAY RENDER(en)

Top of mind: linear burned by the infinity prism; De luce (1215–20) by Robert Grosseteste; ultraviolet tremolo; spilled image; decay as yet another layer of lifted light

PRÓXIMO!(pt)

The Other Side(is)

A silent short. Water, footsteps, darkness and light. Shot and edited entirely on a phone in a single day.

What Is Sex?(en)

A multimedia sex-ed video about life and love in a world where humans have corkscrew penises and corkscrew vaginas.

Red Autumn(de)

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

Pena(pt)

A newly-born harpy discovers herself.

Prelúdio(pt)

Me and My Victim(en)

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.