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The hallmarks of popular music - artist independence and diversity of voices - are threatened by a contracting marketplace of record companies, radio ownership and playlists, as well as increased use in advertising. Big-name artists, historians and economists explain how popular music is produced and marketed and critique its current state.
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Mike Stock, Matt Aitken and Pete Waterman were the producers who came, SAW and conquered the UK charts in the 1980s, spinning the music scene right round like a record with their instantly recognisable brand of disco floor-filling pop hits. The trio divided the nation between those who loved their Hi-NRG sound and the singers they transformed into tabloid sensations, and a music press that loathed them for turning record producing into a production line. Today, many of SAW’s most memorable hits are considered classics of their time, and the very best of them are celebrated in this new selection, featuring such artists as Rick Astley, Dead or Alive, Donna Summer, Bananarama, Mel & Kim and, of course, Kylie and Jason
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Several young music enthusiasts find a helpful supporter of their passion—singing and making music—in the endearing, friendly elderly gentleman Mr. Herzlieb, who works as a night watchman at a pawnshop specializing in musical instruments. Using a shortwave transmitter, they are even able to broadcast their pop songs all the way to Brazil, after which the music lovers are offered a gig. A German "Schlager-Film" (a musical comedy with popular songs).
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IU CONCERT : The Golden Hour(ko)
Experience IU’s first ever global cinema release, as the first Korean female singer to perform at the iconic Olympic Main Stadium in Seoul, the largest stadium in South Korea and the dream venue for music artists. Starting with a thrilling acapella opening, the setlist is filled with beloved songs from across IU’s career. From the floating strawberry moon balloon, to fireworks and a stunning drone show, the enchanting stage production is a must-see in cinemas. Embrace the happiness of the unforgettable 'Golden Hour' through IU’s legendary performances and a fully-charged live show.
Paul Simon and Friends | The Library of Congress Gershwin Prize for Popular Song(en)
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This film tells (using modern day interviews and archival footage and sound tapes) the story of how in 1967, while his band The Beach Boys triumphantly toured abroad, Brian Wilson was trying to push the boundaries of conventional pop music with a new follow-up to the Beach Boys' cutting-edge mega-hit, Pet Sounds. The new album was to be called "SMiLE". SMiLE pushed the envelope both musically and lyrically, and was supposed to out-do the Beatles' Sgt. Pepper record. But Brian wasn't able to sell the project to his band-mates when they returned. The project was shelved and Wilson's well-documented decline into depression, drug abuse, recluseness, and obesity had begun. Thirty-odd years later, Wilson announced that in 2004, SMiLE would be performed live in its entirety in London. This film tells the story of a damaged but healing artist bringing his greatest work to light.
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Women in Rock(en)
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