Balance tes réseaux : enquête sur le sexisme

She is an Umpire(en)

Liu Bo-Jiun is the first female international baseball umpire. “First” seems to be an honor, but in a male-surrounded baseball field, the first female must experience an unprecedented review. As she fixes her eyes on every pitch coming forward, people fix their eyes on every judgment she made. If judgments on pitches were personal out of technical aspects, how about those judgments on people? The game begins at three balls, two strikes and two outs. What about her?

The Social Dilemma(en)

This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.

So No Harm Comes to You(sv)

This story is based on Lisa Rydberg's teenage experiences. An unknown man shows Lisa the way to the bus station on a dark night. After a while she wants to go by herself, but he doesn't allow it. This is a story about making the wrong decision, about fear and about our society.

Coded Bias(en)

Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.

1997: The Birth of the Camera Phone(en)

On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Welcome Home Freckles(ko)

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Women on Trial(en)

"Women On Trail" exposes the innate corruption and sexism in the family court system as children are removed from their mothers and given to fathers who often either don't want them or have been convicted of domestic violence.

Quel numéro ? - What number ? ou le travail automatisé(fr)

The Words to Tell You(fr)

Mariam, Asiya, and Anissa were 11, 7, and 5 years old when they were raped. The attackers were their paternal uncle, a neighborhood youth, and the nanny's son. They have no memory of the event. To protect them, their bodies developed traumatic amnesia. Years later, the memories returned, and they decided to file a complaint.

The Internet Show(en)

In this PBS documentary, technology experts Gina Smith and John Levine provide a light, plain English introduction to the Internet, World Wide Web and related technologies for work and home use.

Digitale Unterwelt - In den Tiefen des Darknets(de)

Me and the Mosque(en)

Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.

The Truth About Webcam Girls(en)

A documentary that follows three women who perform via webcam to paying customers.

Beyond December 6(fr)

One year after the tragedy that took the lives of fourteen female students, Montreal’s École Polytechnique has returned to something resembling normalcy. Nathalie Provost is a survivor of the shooting at the engineering school. Today, with friends, she opens up. About the tragedy, about feminism. About racism and sexism. About the fact that society has difficulty accepting difference. And, above all, about life, which must go on beyond December 6.

Liberation Diaries(it)

The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.

Wacay, mujeres del tabacal(es)

According to an ancient myth, there was a woman who, by violating the prohibition against leaving her house during menstruation, became a cannibalistic woman, an evil spirit. Amid the fear and outcry of the men, the woman was murdered and burned. But soon after, from the ashes of her pubic hair, the tobacco plant sprang forth. Today, the women of the tobacco fields are experiencing a resurgence in collective work that intertwines with personal aspirations. Five women tell us in their own words how they learned the trade from childhood. As they work, the women of the tobacco fields share their lives and their silenced childhoods. They share stories and veiled traditions.

Nose and Tina(en)

Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.

Women Hay Makers(xx)

Picturesque scenes of land girls gathering hay on an Essex farm during WWI.

En nous(fr)

Ten years ago, the paths of Abou, Laura, Cadiatou and Jacques have crossed Emmanuelle’s. She was their French teacher at a high school in Marseille. Together they took part in a film, Children of the Princess of Cleves, in which, while analyzing the classic text, they expressed their hopes, dreams, and fears. In En Nous, the director re-connects with the protagonists : memories blend with stories of their lives and the daily obstacles they must overcome whilst trying not to lose hope. Now, the sentence of the Princess of Cleves rings poignantly true: “I know nothing can be more difficult than what I undertake”.