Balance tes réseaux : enquête sur le sexisme

The Words to Tell You(fr)

Mariam, Asiya, and Anissa were 11, 7, and 5 years old when they were raped. The attackers were their paternal uncle, a neighborhood youth, and the nanny's son. They have no memory of the event. To protect them, their bodies developed traumatic amnesia. Years later, the memories returned, and they decided to file a complaint.

Amazones, femmes guerrières de l'Antiquité(fr)

Les filles c’est pas pareil(fr)

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

The Social Dilemma(en)

This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.

Women on Trial(en)

"Women On Trail" exposes the innate corruption and sexism in the family court system as children are removed from their mothers and given to fathers who often either don't want them or have been convicted of domestic violence.

Coded Bias(en)

Exploring the fallout of MIT Media Lab researcher Joy Buolamwini's startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.

DNA: Secret of Photo 51(en)

On April 25, 1953, James Watson and Francis Crick published their groundbreaking discovery of the double helix structure of DNA. But their crucial breakthrough depended on the pioneering work of another biologist, Rosalind Franklin. 50 years later, NOVA investigates the shocking truth behind one of the greatest scientific discoveries and presents a moving portrait of a brilliant woman in an era of male-dominated science.

Devant – Contrechamp de la rétention(fr)

Pauline, Norah, Kristina and others wait for hours, sitting under a hut deep in the Bois de Vincennes. In front of the administrative detention center (CRA) in Paris, they have all come to see their loved ones locked up. Lives on hold, awaiting deportation or release. On this stage, these women tell their stories, talk to each other, share their experience, their revolt and their dreams with new visitors. They are the mirror of migrant detention, its reverse view.

Nuuca(en)

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

Heckler(en)

HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.

Beyond December 6(fr)

One year after the tragedy that took the lives of fourteen female students, Montreal’s École Polytechnique has returned to something resembling normalcy. Nathalie Provost is a survivor of the shooting at the engineering school. Today, with friends, she opens up. About the tragedy, about feminism. About racism and sexism. About the fact that society has difficulty accepting difference. And, above all, about life, which must go on beyond December 6.

Vivante(s)(fr)

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Welcome Home Freckles(ko)

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Rewinding Dominoes(en)

In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.

1997: The Birth of the Camera Phone(en)

On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantly on public networks. The impetus for this invention was the birth of Kahn's daughter, when he jerry-rigged a mobile phone with a digital camera and sent photos in real time. In 2016 Time Magazine included Kahn's first camera phone photo in their list of the 100 most influential photos of all time.

Liberation Diaries(it)

The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.

Mädchen können kein Fußball spielen(de)

The film tells the story of the fight for a national soccer team in West Germany and East Germany. It tells of the forgotten lifetime achievements of the German female soccer pioneers and the fight for their place "on the pitch". A fight full of unbelievable, almost absurd twists and turns and stories that reveal a great deal about male heroic images and clichéd images of women in East and West.

The Cleaners(de)

A deep dive into the hidden industry of digital cleaning, which rids the Internet of unwanted violence, porn and political content.

Dadi's Family(en)

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.