The Doldrums

Second Sun(en)

A document of energy forms in states of vibrating transmutation, this audio-visual composition uses LEDs, strobes and torches to create a mechanical "light-score."

Endless(en)

A meditation on the inevitable deterioration of certain traditional values that have been established (or destroyed) throughout civilization. This elegiac account uses symbolic representation from natural elements in order to convey the inevitability of remembering the social and cultural erosion, and places a layer of texture in front of the elliptical glimpses of imagery, separating the viewer from the past. The re-occurring image of flames remains untouched by the erosion aspects of reticulation, ultimately alluding to nature's powerful quality.

Site Unseen(en)

A collaboration between Kadet Kuhne & Alba G. Corral.

The Sketch(fr)

Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.

Cyclepaths(xx)

An old woman is carrying shopping bags. A child with a gun is riding a scooter. Birds are flying. A city is falling. A party is lit.

In Ictu Oculi(eu)

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

The Figure of Unconscious Mind(xx)

In this abstract analogy between life and an apple, one will have to face problems and suffer wounds to push boundaries. Maybe something new will grow out of it.

(D)Infinity(en)

(D)Infinity is a Sci-Fi animation exhibiting chaos and beauty in outer space. Using only graphite and paper the film renders the artist’s own interpretations of dimensional infinity. The universe consists from harmony and balance of the four fundamental forces of nature : Strong force, weak force, gravity, electro-magnetism. If the one of the forces is not in perfect figure relative to other three forces, the universe will collapse. The film (D)Infinity is a visual theory of the phenomenon when mankind’s technological advancement impact the nature of the four fundamental forces, which then lead to the destruction and new beginning of the universe.

LAND(en)

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

Regeneration(en)

Regeneration is a film about transformation. Starting in a dark place the character reaches toward the divine and breaks into the world of the spirit. Through this act representing an outstretched hand we see that the Holy Spirit represented as a dove is pursuing us even more urgently. The meeting of the two represents the freedom in flight found in trusting fully in the Holy Spirit and is completed with the return to the heart now fully regenerated.

Song of the Flies(es)

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

The Dog’s Leash(fr)

The bell tower rings and the birds fly away. In the countryside on the outskirts of a small village, a dog tied to a very long rope, watches them disappear in the horizon. It’s time for him to go. Prance across fields. How far will his rope allow him to go?

Idéal(fr)

Enough of Myself(nl)

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.

Anthropic Principle(en)

arc of the natural world’s evolution from the primeval environment to the Anthropocene and back again premiered in program Death is Green at the Whitney Museum of American Art part of Dreamlands: Immersive Cinema and Art 1905-2016 organized by Chrissie Iles

Blue Egg(en)

A queer stop-motion animation live-action hybrid film following four women in a surrealist parallel narrative unconstricted to heteronormative space and time.

gylden load(xx)

A load of Halloween monsters freak each other out in a strobing cacophany.

Cymatic Cocoon(en)

This film explores cymatics and telepathy among twins

Quando a noite ainda não existia(pt)

During the COVID-19 pandemic, a trans body dreams of the birth of night.

Corner(pt)

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.