Eva, Divina e Edina.

At two in Lisbon(en)

Two writers in Lisbon talk about what it means to be a woman in graffiti world where the survival of the fittest is prevailed and it's difficult to be accepted.

Mabel(en)

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

things that won't die(es)

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

What Is a Woman?(en)

Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.

Mulheres da Pá Virada(pt)

Nathalie: The first and last prom(es)

Christine attends her first and last prom accompanied by Martin Fredericksen

Rose Nunes Vive!(pt)

Il canto della farfalla(it)

Olive(en)

“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.

Fragments(fr)

Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.

Now That the Sun Begins to Set(es)

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

On ne naît pas féministe(fr)

Nasrin(fa)

Nasrin; a wild rose, purged of its share of dry branches tries to flourish in Iran.

Bibis of 14(ca)

Through a film letter, Lara communicates with her great-grandfather Paco, whom she barely knew. She explains to him what has happened since he died.

Femmes symphoniques(fr)

Amakki(om)

A dream-like exploration of the interconnected lives of two women and two children, celebrating the profound moments of love, loss, and resilience that shape the tapestry of womanhood. Set to the backdrop of Sidama's coffee-growing hills, 'Amakki', meaning 'your mother', captures the intricate threads that bind these women to the land, to each other, and to the unspoken essence of motherhood. The language spoken in this film is Sidaamu Afoo.

Metamorfosis(es)

Interview with a Woman(th)

A documentary is an interview that asks questions. With an emphasis on femininity female-male as I interviewed her I wanted to express the "Femininity" in my male body. The movie is like a superposition of the thoughts and feelings of two people who have "femininity" in their hearts as I interviewed her. I would also like to have a voice to express my opinion. In the hopes that someone will come to interview about a life that has been overlooked because the body is not a "woman".

a little woman(ca)

A bloodstain on a sheet triggers a great transformation in Tina, an eleven-year-old girl. As she spreads out the laundry with her mother, she will have to silently face all those unknown feelings she thought would never come.

Mother(ar)

Wanting a better life for herself and her unborn child, Amani goes on an illegal journey to flee Lebanon. However, the plan becomes at risk when a woman reports Amani to security while she is hiding in the bathroom stall of a British airport.