Adolf Hitler: The Greatest Story Never Told!
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My Life Part 2(de)
By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.
Looking for Zion(he)
A multi-generational journey exploring the archives of the director's grandfather Ephraim Erde, an official Zionist photographer from the 30s, confronted with the director's current vision in an attempt to create an utopia of her own.
The Waters of the Bug River(fr)
Dedicated to the poet Paul Celan, the film traces the itinerary of the deportation of Jews from Czernowitz and Bucovina to Mikhailovka camp on the banks of the river Bug during WW2. Among them was the poet’s mother.
Arlette(da)
The Story of Danish/French holocaust-survivor, Arlette Andersen, told from her horrifying point of view. From being a normal teen in Paris to her imprisonment in the infamous concentration camp, Auschwitz, she gives the younger generations a look into, a not so distant past of true horror.
Forgotten Transports to Poland(cs)
Forgotten Transports to Poland is a documentary by Lukáš Přibyl, part of a series that explores lesser-known Holocaust deportations. This film focuses on Jewish deportees sent to little-known camps in eastern Poland during World War II. It highlights their survival strategies and personal stories, offering a human perspective on these largely forgotten events.
German Concentration Camps Factual Survey(en)
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
Never Again Is Now Global(en)
Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.
The Man Who Made Angels Fly(en)
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
Charles Manson, The Church of Satan, The Universal Order & The Process Church of Final Judgment(en)
Out of the spiritual chaos of the 1960s, more strange cults and unorthodox messiahs have emerged than ever. Charles Manson is seen as the annoying result of libertarianism of the 1960s - the Cain who murdered the Abel from The Love Generation. Or in the words of one commentator; "the Elvis of alienation."
“May Your Memory Be Love“ - The Story of Ovadia Baruch(en)
In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.
How the Holocaust Began(en)
Historian James Bulgin reveals the origins of the Holocaust in the German invasion of the Soviet Union, exploring the mass murder, collaboration and experimentation that led to the Final Solution.
Umsonst Gelebt: Walter Schwarze(de)
“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim
The Sun Rises Again(he)
The story of the Holocaust survivors in Poland (1946-1949). Based on the films of Nathan Gross and Shaul Goskind: Akhar alpaim shana.
The Last Survivors(en)
Documentary compiling the testimonies of the last remaining Holocaust survivors living in Britain, all of whom were children at the time, and following them over the course of a year as they embark upon personal and profound journeys.
Facing the Phantoms(en)
French film and WWII historian Sylvie Lindeperg analyzes Alain Resnais's seminal 1956 film, "Night and Fog", and attempts to place it in the context of the historical treatment of WWII, and specifically of the Holocaust, in the decade following those harrowing events. Oddly, she argues that the images of Resnais's famous film are "powerless", in her words.
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