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Recommendations Movies
12(en)
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
7.3Nullarbor(en)
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
5.912(tl)
Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.
NULL(en)
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
8.0Gaither Christmas in South Africa(en)
Joy To The World, A King Is Coming To Town, Jesus Loves Me, O Come, All Ye Faithful, Jesus, What A Wonderful Child!, Deck The Halls/Jingle Bells/Feliz Navidad, Go Tell It On The Mountain, My Heart Would Be Your Bethlehem, Walking In The Light Of God, Born In Bethlehem, Down In Bethlehem, Changed By A Baby Boy, The Greatest Gift Of All, The Savior Of The World Has Come, Glad Tiding, Let There Be Joy, From Heaven’s Point Of View, Away In A Manger, I Saw Him In The Drugstore, Reaching, Silent Night
7.4Captain Nulle(lv)
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
7.2The Way Back(en)
Ember is a 21-year-old photography student, stubborn, confident and independent. Her biggest dream has always been to move out of her hometown - she hated it for as long as she could remember and never felt comfortable there. But as Ember fulfils her dream and moves away to a different city, she keeps coming back to the memories of her past life and introspecting her connection with her hometown.
Six: Inside(en)
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
6.0Strange Object(en)
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
8.7NJPW G1 Climax 29: Day 6(ja)
The sixth night of G1 Climax 29 took place at Korakuen Hall in Tokyo, Japan, on July 19, 2019, and was headlined by Tomohiro Ishii vs. Jon Moxley.
7.4The Way Back(en)
The Year of Return is an initiative of the government of Ghana that is intended to encourage African diasporans to come to Africa to settle and invest in the continent. This film documents one diasporan family as they return to Africa.
6.8Film(en)
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
7.5Paradise and Back(da)
Tonnemann lives in one of the wooden sheds at the far end of Islands Brygge, close to Copenhagen's landfill site. But in 1928, he wants to leave this environment behind – to go where the air is fresh and life may offer both security and meaning. He is already on his way with his packed suitcase to sign on to a long-distance boat when a lovely girl gets in his way with her little red sports car.
6.71(en)
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
5.5The Dune(fr)
Through the course of several accidents and chance encounters, Hanoch and Ruben will meet and each of them will have to face a page of his personal history, a page that they both need to turn for good.
6.6F.O.T.O.G.R.A.F.(ru)
A short film based on the S.T.A.L.K.E.R. fictional universe, combining the “Picnic to the curb” of the Strugatsky brothers, “Stalker” by Andrei Tarkovsky and the “Exclusion Zone” location around the Chernobyl NPP. According to the scenario, an agent of the peacekeeping forces, nicknamed "The Photographer", arrives in the Zone to prevent a global scale catastrophe, which could be caused by an experiment that went out of control at a scientific lab.
5.5Beck: The Last Day(sv)
Two traffic officers on a quiet morning shift try to stop a car for speeding. When the car finally pulls over, the driver gets out and shoots at them, killing one of the officers in cold blood. A national alert is issued and an extensive search for the ruthless killer begins, with the Beck group at the lead. Neither the officer’s shocked and wounded colleague nor any of the witnesses have seen anything helpful to the police. Finally, they find the car registration number using a surveillance camera. But, when they enter the car owner’s apartment, they find him shot to death. The first day of summer is a long one for the Beck group, as the killer has more victims on his list.
Film(en)
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

