Lo scialle azzurro

Light Protect Me From Oblivion(en)

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

Maccaia(it)

Portrait de Rosa, à la française(fr)

Poetic, delicate, engaging. "Portrait de Rosa, à la française" gently draws you into this passionate love story, with a love text that fits well with the images of Rosa's smiling face. A narrative that recalls the “nouvelle vague” interpreted with today's eyes.

Mio padre amore mio(it)

Fede is a theater actress who, while putting on clown make-up for a show, thinks back to her relationship with her father: a relationship of tenderness, desire and hatred.

sissi's mixtape (a guide to love, loss & desperation)(en)

fragments from song lyrics of different artists have given life to this story about love, loss and desperation.

DARKMAN(en)

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

Speak To Me Of What I Know(en)

Speak To Me Of What I Know is a short experimental film shot on a Super8. The idea of lack of communication is expressed through an intimate relationship, more specifically the men of the film. The themes of miscommunication develop throughout the film in many ways, even the slightest details are there with the explicit goal of adding to the main message. Pay attention to as much as you can, and build your idea of what it's all about. It remains up to interpretation.

Flesh in Turmoil(pt)

The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.

At the Passage of Ziletia(tr)

Ahmet, a Turkish guy in his early twenties visit his grandfather's abandoned mansion located somewhere in the northern Anatolia. Thinking that he would return to where he spent his early childhood, only to find out that the place is now in ruins. When he goes to sleep. An unexpected angel will visit him to give her a blessing of the truth. He wakes up being not the guy he was before.

Admissions of Desire(en)

A man and a woman talk on the phone and express their feelings and desires for each other for the first time. We watch as they listen to the other's admissions.

A Thunderbolt for Michelle(en)

A young woman is on the verge of committing suicide when things take an unexpected turn.

Kiss For Me(en)

Maya excitedly leans into the joy of her first queer relationship, but must confront the seemingly never-ending sexualisation of her identity

Buscando Tesoro (Seeking Treasure)(es)

A super 8 film. A woman in search of precious items left behind by someone special. Una mujer en busca de objetos preciosos dejados por alguien especial.

Reflejos(es)

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

Mania(pt)

A single misstep — crushing a cicada beneath his foot — plunges a young man into unsettling paranoia.

A Certain Light(xx)

A journey through different processes of capturing light using pinhole cameras (pinhole camera in Super 8 format), accompanied by a cassette recorder during the director residency at Nanolab (Daylesford, Australia). It represents a step between the interior and the exterior, between moving forward and going back. It is about the space the director inhabit, the one she walk through and capture over and over again.

Selkie(en)

According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.

Waves 2(en)

After of Waves 1 (1972) Amos Gitai made another short film entitled Waves 2, in 1976 and again in Super-8.

La bella addormentata nel bosco(it)

"What I tried to "tell" is Rosa's close and distorted relationship, common to many women who are used to living alone with themselves, with objects that have become animated and unreal and the relationship which is completely silent, but no less clear and explosive of Rosa with her feminine unconscious” (D. Maraini).

Giochi di latte(it)

Milk in its symbolic and ancestral dimension is the fulcrum of this short film. Primary source of female nourishment, abundance and life, milk flows, is drunk, steeps and nourishes. The woman-mother is its dispenser, the one who safeguards its vital power. The color of milk, however, also recalls male seminal fluid and the dimension of the sensual exchange between man and woman.