Commissioned by the Festival of Britain to show the similarities and contrasts between 1851 and 1951, by means of the Great Exhibition and the Festival.
1951-01-01
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0.0Jenni has an ordinary life of simple patterns revolving around family and work. Her daily routine is seemingly unremarkable yet is of great interest to someone she doesn’t know—but who knows everything about her. Harvest is a thrilling and inventive depiction of the hidden value in mundane routines.
0.0The wonders of the universe have long propelled our insatiable desire to learn more about who we are and where we came from. With the advancing age of science and technology, we're able to explore our world and the cosmos like never before. We are exploring the unknown at the farthest reaches in space unlocking new wonders and mysteries that are both shocking and amazing. From colling planets, to disappearing comets, to unexplained activity on the surface of planets in our solar system, the next evolution of mankind is well underway.
0.0Conservation biologist Tim Shields sees urgency in the field and finds that traditional conservation practices are lacking when it comes to saving desert tortoise populations from ravens. He goes rogue, employing an arsenal of lasers, exploding model turtles, drones and desert rovers as a means of protecting the tortoise's dwindling numbers.
0.0Film sponsored by Western Electric (AT&T's equipment manufacturing division), the builder of the United States Air Force's White Alice Communications System in Alaska. Introduces the people and geography of the new state as well as the Western Electric radio-relay system, which links far-flung military sites, alert stations, and missile-warning facilities. Ralph Caplan praised the film's "intrinsically dramatic and highly photogenic" portrayal of communications equipment.
7.9Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
7.8A sociological portrait of the United Kingdom after the historic Brexit vote of 2016. A funny, sometimes terrifying and non-judgemental look at the new populist politics sweeping western democracies.
7.8The full bizarre, tragic but celebratory story of Syd Barrett, the co-founder of Pink Floyd.
8.0In the first decades of the 20th century, when life was being transformed by scientific innovations, researchers made a thrilling new claim: they could tell whether someone was lying by using a machine. Popularly known as the “lie detector,” the device transformed police work, seized headlines and was extolled in movies, TV and comics as an infallible crime-fighting tool. Husbands and wives tested each other’s fidelity. Corporations routinely tested employees’ honesty and government workers were tested for loyalty and “morals.” But the promise of the polygraph turned dark, and the lie detector too often became an apparatus of fear and intimidation. Written and directed by Rob Rapley and executive produced by Cameo George, The Lie Detector is a tale of good intentions, twisted morals and unintended consequences.
0.0Familiar radio voice Ben Grauer leads the viewer on a behind the scenes tour of the National Broadcasting Company studios -- both radio and television -- in Rockefeller Center and Hollywood. The original 25-minute film previewed by network execs and affiliates in the fall of 1948 was cut down to 20 minutes before its first broadcast, reportedly to excise high-profile stars and programs such as Amos 'n' Andy, Jack Benny, and Edgar Bergen that had since left NBC for other networks.
7.4This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.
7.0In a few years, technology will merge with our bodies in ways that today seem unimaginable, and will redefine the limits of what is a human being. There are already people who, driven by the desire to experiment, have crossed the biological limits by introducing electronic devices that provide them with capabilities that go beyond what is "normal." They are the first hybrids, and they face the reaction of society, which goes from malignancy to enthusiasm. Today they are only a small minority, and many people consider them as disrupted experimenters, but in the near future we may recognize them as pioneers.
0.0Focusing on the vulnerability of digital data, Digital Amnesia ponders the sustainability of modern artifacts that have no material state. Notable archivists share their perspectives on the Digital Age and whether it poses great promise or threat to the longevity of digital information and our collective memory.
6.5A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
6.9REVOLUTION OS tells the inside story of the hackers who rebelled against the proprietary software model and Microsoft to create GNU/Linux and the Open Source movement.
6.0This short documentary follows the fortunes of iconic car manufacturer Lotus. Once famous for its championship-winning race cars and iconic sports cars, Lotus has struggled to remain in profit. A new investor and managing director set out to build the first new Lotus road cars in over a decade: their final petrol-powered car Emira and their first pure electric British hypercar, the 2000bhp Evija.
6.6Once upon a time there was a large Finnish company called Nokia that manufactured the world’s best and most innovative mobile phones. Nokia’s annual budget was larger than that of the Government of Finland and their phones spread everywhere and changed the whole culture of communication. But then something changed. Film portrays the rise and fall of Nokia and the Finnish mobile phone industry. Nokia engineers, designers and managers tell their story about the creation, success and downfall of the Finnish mobile phone.
6.9NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
3.0Host Grant Jeffrey discusses how technology and government activities are changing the way our information is handled. How is this shaping our lives?
0.0A team of scientists search for the lost island of Testerep in front of the Belgian coast, venturing into artificial landscapes and virtual realities.