B1CH05

Batalhas da Ilha(pt)

MC battles are the basis of Rap and in São Luís, this type of manifestation has been growing organically in different peripheral communities organized by residents and local artists. Even without great incentives, the battles have spread throughout the city and created a network of creative ideas that oxygenate the outskirts.

Vozes do Mangue(pt)

Medo de Sobrar, Medo de Sonhar(pt)

Perifaquadro(pt)

Far beyond Marvel and DC, comics are also made by Brazilians for Brazilians. Follow the journey and struggles of those who are from the outskirts of the city and try to make a living from this art.

Da Ponte Pra Cá(pt)

Amar a Ilha(pt)

Queda(pt)

Filme X(pt)

A man breaks into people's houses at night and observes them, without stealing or violating anything. He simply looks, putting himself in their positions and searching for something he has lost within him, but not thinking that he could be being watched too.

The Third Clef(pt)

In a family marked by grief, Clarice is the "Third Clef": the granddaughter trying to follow in the musical footsteps of her late grandmother, Lola. But her dream collides with the resistance of her mother, Verônica, who, consumed by deep depression, sees music as the root of the family's ruin. On the eve of a decisive contest, the tension between the daughter's desire for a future and the mother's pain from the past reaches a breaking point, forcing them to decide whether to live in silence or find a new harmony.

A Noiva Natal(pt)

“A Noiva Natal” is a photo film narrated by the city of Natal itself, the capital of Rio Grande do Norte, in the first person. The short film, divided into three parts alluding to mourning, records a vision of the capital after being neglected and forgotten by the Public Authorities and its inhabitants.

Bala Perdida(pt)

Consueto(pt)

AGARRA(pt)

Conversas de Janela(pt)

Save Our Souls(en)

Bobbing around on Mediterranean waters aboard the Ocean Viking, aid workers from the French relief service SOS Méditerranée gaze at the horizon. Is that a rubber dinghy in the distance, or is it garbage? The organization sails up and down the Libyan coast looking to pick up refugees in boats. On board is a 30-strong team ready to offer help and support refugees with their asylum applications.

The Search and Destroy Recap(en)

32 contestant hunt down a single targert in a manhunt across Glasgow.

¡Viva Mexico!(es)

In a journey from the mountains of southeastern Mexico to the northern border with the United States, Subcommander Marcos and the people of Mexico trace the forgotten face of a country. A celebration of the struggle for land and dignity.

Camelamos naquerar(es)

Camelamos naquerar (We Want to Speak) is an adaptation of the theatre play of the same name which was born out of a collaboration between Romani poet and university professor José Heredia Maya and Romani flamenco dancer and choreographer Mario Maya; the latter also performs in the piece, along with other artists. The title in Caló, the language used by Gitanos, translates as ‘we want to speak’, a revolutionary message that illustrates the efforts to reclaim a place in Spanish history for the Roma people and denounce the institutional injustice suffered by the community. It takes as its starting point the Pragmatic decrees signed by the Catholic Monarchs at the end of the fifteenth century, which heralded the long persecution of the Roma people, and continues right up to the twentieth-century Francoist laws.

Big Waves Will Rise You(en)

21-year-old Sam Carton, after amputating her leg due to untreatable CRPS, embarks on a journey to surf and pursue her dream of becoming a photographer.

The Commandant's Shadow(en)

While Hans Jurgen Höss enjoyed a happy childhood in the family villa at Auschwitz, Jewish prisoner Anita Lasker-Wallfisch was trying to survive the notorious concentration camp. At the heart of this film is the historic and inspiring moment – eight decades later – when the two come face-to-face. This is the first time the descendant of a major war criminal meets a survivor in such a private and intimate setting, Anita’s London living room. Together with their children, Kai Höss and Maya Lasker-Wallfisch, the four protagonists explore their very different hereditary burdens.