A tribute to stopmotion supremo and special effects genius extraordinaire Ray Harryhausen, the man behind some of cinema's greatest fantasy films - The Beast From 20,000 Fathoms, The Seventh Voyage of Sinbad, Jason & The Argonauts and One Million Years BC. Featuring exclusive footage of Harryhausen at work on his first stopmotion for over 20 years, and contributions from many of Hollywood's top special effects directors and creators.
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A documentary about the making of Wallace & Gromit’s Cracking Contraptions.
The experimental stop motion story of a London boy in World War 2, we witness war drawing inexorably closer as he comes of age. 14 when war begins, our young hero lives through bombings, the evacuation of his siblings, the privations of wartime. Yet he survives and even thrives. He sets out to search for his friend in the East End during those turbulent and frightening times, and with his own voice tells his story with a wit and verve few would believe today. Finally we leave him at the brink on D-Day, a hero already in the making.
In 2013, online clay animator Robert Benfer scammed hundreds of fans out of thousands of dollars and has continued to become less of the independent film icon he used to be, though his unique influence on video creators remains to this day. This film not only sheds light on how Benfer's films impacted young filmmakers, but also how a talented independent artist can fall from grace no matter how obscure they are.
This short film profiles the benevolent Mike Sullivan, who has been in the process of shooting a stop-motion robot sex film in his New York City apartment for the last ten years. Obsessed with the meticulous construction of the miniature robot porn stars, his apartment now overflows with thousands, leaving him only tiny paths to navigate and no place to film his epic.
Phil Tippett is the Oscar-winning stop-motion animator and designer behind some of the greatest fantasy creatures and sci-fi set pieces in cinema history. From his humble beginnings as an alien patron in the iconic Cantina sequence from 'Star Wars: A New Hope', to pioneering stop-motion techniques used throughout 'Empire Strikes Back' and 'Return of the Jedi', to seamlessly merging practical animation and CGI in Jurassic Park and beyond. In 'My Life in Monsters', VICE chronicles Tippett's legendary life work, illustrating the process behind his greatest creations, the emotional hardships of transitioning into Hollywood's digital revolution, and completing his return-to-form, stop-motion opus with the brutal, dystopian 'Mad God'.
A documentary covering the making of Chicken Run.
A documentary covering the making of Chicken Run.
This 1971 color anti-drug use and abuse film was produced by Concept Films and directed by Brian Kellman for Encyclopedia Britannica. “Weed: The Story of Marijuana” combines time-lapse, montage, illustrations, animation (by Paul Fierlinger and emigre Pavel Vošický) and dramatized, documentary-style interviews to survey the evolving role of cannabis in U.S. society, with emphasis on the legal risks faced by young people. A unique score of experimental synthesizer music is provided by Tony Luisi on an EMS VCS 3 “Putney”
Eric Leiser displays his boundless creativity in this short collection; A stunning compilation of works presented with a mixture of live action, stop motion animation, puppetry and pixilation techniques, produced between 2001 and 2006.
BRICKS IN MOTION is a feature length documentary that explores the lives of individuals involved in the hobby of creating stop-motion animated films with LEGO® bricks and other building toys. Filmed in five countries around the world, the film is a journey through the creative life and struggles of a diverse community of storytellers as they bring their spectacular visions to life.
The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.
Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.
Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.
A collection of trailers from various "B" dinosaur and creature movies spanning though out film history, but mostly focusing on the drive-in type films of the 1950's, 60's, 70's and early 80's.
The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
A person calls a taxi only to find himself entering a surreal world.
As an actor, director and producer, Ray Harryhausen has been a vibrant figure in Hollywood, working on everything from family films to mind-bending sci-fi. But his true genius lay in the creation of special effects for movies such as Mighty Joe Young and It Came from Outer Space. Narrated by Leonard Nimoy and featuring appearances by George Lucas and Ray Bradbury, this film documents Harryhausen's remarkable life's work.
Sketch Film #1 (Tomonari Nishikawa, 2005, 3 min., super 8, silent, 18/24fps, b&w, USA) As a painter carries a sketchbook and practices drawing, I carried a Super 8 camera and shot frame by frame, as an everyday exercise to make animations of lines and shapes found in the public space. The entire film was edited in camera and hand-processed afterwards.
Sketch Film #3 (Tomonari Nishikawa, 2006, 3 min., super 8, silent, 18/24fps, b&w, USA/Japan) The third film in the series, which starts with a sequence of paired images: a focused image and a blurred image of the same subject, which was caused by a diagonal camera movement. Later, it shows an experiment to produce an apparent depth by rotating an apparent shape. It was edited in camera and hand-processed afterwards.