Purest Form

Voga(pt)

Quiet Remains(en)

A quasi-documentary look at how certain things fit together. This film embraces an unhurried tempo.

Ontmaskerd(nl)

Prometheus(en)

“I've never seen light that looks or feels so dark; forward moving possibility united with so much cosmic terror.”—Marilyn Brakhage

fifteen zero three nineteenth of january two thousand sixteen(sv)

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

Between You and You All(fr)

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

Leporello oder Ich habe gern gewunken(de)

Experimental short film

25,000(en)

A video project meant to highlight the human cost in Palestine.

Sklizeň(cs)

Vychovatel ke strachu(cs)

Mrtvý les(cs)

3/60: Trees in Autumn(de)

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

The Things You Said On That Cloudy Day(en)

A Brief History of Circles(en)

An experimental video essay which uses circles and waves to explore neurodivergent experience.

The Pleasure in Pain(en)

A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.

Les corps aqueux(fr)

An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.

Lost Footage(en)

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

Meat Party(en)

A man and women have dinner, a steak, and his woman ( second steak) also does.

Rosso(en)

For an anxious person, being trapped on a boat with someone you don't like can be the tense. Stuck for hours afloat, nothing on the line, bad conversation, and cold winds as resentment rises. Both people chained to a rod and tackle because one won't speak up and admit that they want to go home.

Feeler(en)

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.