THE BOY WHO WORE THE SUN

Mother(ar)

Wanting a better life for herself and her child, Amani decides to flee Lebanon. Her journey unravels impossible choices and sacrifices only a Mother can make.

Full Stop(en)

Wajdi and Maia are spending their last days together before Wajdi travels to a new start away from the Lebanese situation.

The Sun Sets on Beirut(ar)

Mounia searches for her lost cat among the ruins of the Beirut port explosion. Joined by her best friend Ghady, they navigate the remnants of their city on a quest to recover what's been lost.

Ransomed(ko)

In Beirut 1986, during the Lebanese civil war a Korean diplomat is taken hostage without a trace. Two years pass and long forgotten, a young diplomat Min-jun receives a phone call proving that the hostage is still alive. With the given mission, Min-jun is sent to Beirut to save the hostage with a bag of ransom money.

So the Lovers Could Come Out Again(ar)

At the climax of the Lebanese Civil War, two snipers entrusted to guard a stronghold overlooking the Green Line build a relationship as everything around them falls apart.

Waltz with Bashir(he)

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Perhaps Today...(ar)

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

Riverbed(ar)

"Riverbed" tells the story of Salma and her returning daughter Thuraya, and their attempt to preserve, maintain and reconstruct their lives with and against each other. Salma survived many years by protecting her independence, she reached her peace through letting go of any attachments. But the past does not let go of Salma and brings back Thuraya, defeated, divorced, and pregnant.

Memory Box(fr)

Maia, a single mother, lives in Montreal with her teenage daughter, Alex. On Christmas Eve, they receive an unexpected delivery: notebooks, tapes, and photos Maia, from 13 to 18 years old, sent from Beirut to her best friend who left for Paris to escape the civil war. Maia refuses to open the box or confront its memories, but Alex secretly begins diving into it. Between fantasy and reality, Alex enters the world of her mother’s tumultuous, passionate adolescence during the Lebanese civil war, unlocking mysteries of a hidden past.

War, Explosion, Depression & Other Types of Pillow Talks(en)

Rayane, a Lebanese woman, talks with her one-night-stands and lovers about how, strangely, she has great memories of the 2006 Israeli-Lebanese war.

I Don’t Like My Car Anymore(fr)

Two lovers. Both are immigrants. Their relationship is the last thing that they kept from home, the last rope they are attached to. Marc holds that rope dearly, Léa wants to cut it. Her love of Paris has taken over the love of Marc

Nahla(ar)

After the battle of Kfar Chouba in Lebanon in January 1975, Larbi Nasri, a young Algerian journalist, was caught in the whirlwind of events preceding the civil war. Linked to Maha, Hind, Raouf and Michel who surround Nahla, he witnesses the construction of the myth of Nahla, a singer adored by the Arab population. One day Nahla loses her voice on stage. The atmosphere of crisis that reigns around her is spreading like an infection. Larbi, fascinated, loses his footing and gets bogged down.

Deaf(ar)

Beirut, Lebanon. Hassan is assembling wooden boards. His wife is dead. He is building her coffin. Tamara and Rami, the children, in their twenties, are helping him as best they can to fulfill her last wish: to be buried in her childhood village, abandoned for more than 20 years.

Kamal Joumblatt, Witness and Martyr(fr)

Kamal Jumblatt, the Master of Moukhtara Castle, recounts the major events of his life until his assassination on March 16, 1977. The film takes us on a global journey from Lebanon to India, in the footsteps of Kamal Jumblatt, the founder of the PSP (Progressive Socialist Party), the leader, the rebel, the reformer, the thinker, the poet, the Yogi … Kamal Jumblatt (1917-1977) becomes the last witness... of his own life.

Khamsin(fr)

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

Greetings to Kamal Jumblatt(ar)

Tribute to the Druze Kamal Jumblatt, Minister of Economy and Agriculture (1946) and founder of the Progressive Socialist Party (PSP) in 1949. He was one of the architects of the departure of President Bechara el-Khoury (1952), before playing a major role in the events of 1958. From 1960 to 1964, Kamal Jumblatt assumed, under the presidency of Fouad Chehab, various ministerial functions . . After the conflict of June 1967, he gradually approached the Palestinian organizations. In 1969 he became Minister of the Interior; in August 1970, he supported the election of Soleiman Frangié as President of the Republic. Following the Lebanese-Palestinian clashes of May 1973, he took sides against the head of state, established himself as the leader of the National Movement in 1975 and engaged in a revolutionary armed struggle against the Lebanese Front. Hostile to Syria's intervention in Lebanon, he broke with it (March 1976). He was assassinated near a Syrian checkpoint in 1977.

Recovery(ar)

Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. Can a future be built from such a memory? Can it rebuild what was lost? Is it time to leave?

This Is Not Fairuz(en)

A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.

World War C(nl)

It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.

Les cèdres du Liban(fr)