c0rp0 de bytes

Runaway(en)

In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.

Déjà Vu(en)

Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help prevent crime.

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

The Secret Agent 303(cn)

Hong Kong's Ironman stepped up to the plate when Dr. No (1962) took the world by storm in the 1960s. Tso Tat-wah, the quintessential tough guy of Cantonese cinema who had appeared in dozens of popular action films, was licensed to spy in several 007 imitations. Here, he is Agent 303, the lucky number "3" a vivid sign of East-West integration. Presented in glorious widescreen, the film is garnished with secret weapons and ominous hideouts, mind games and technological intrigues, violence and sex, the latter in the form of a silhouette striptease!

Painted Gaze(en)

After a young girl discovers a fascinating art museum, she becomes attached to the artwork she comes across. Although over time, there is a strange shift in energy the more time she spends with the artwork.

LIMINAL(es)

Testerep(en)

A team of scientists search for the lost island of Testerep in front of the Belgian coast, venturing into artificial landscapes and virtual realities.

La dissolution du paysage(xx)

Lumière synthèse(fr)

De peindre, mes os sont devenus poussière(fr)

Lawnmower Man 2: Beyond Cyberspace(en)

After being rescued from the ruins of Virtual Space Industries, Jobe is rebuilt and reconnected to virtual reality by corporate mogul Jonathan Walker. Years later, teenage hacker Peter Parkette helps Jobe locate Benjamin Trace, the original creator of virtual reality, only to uncover Jobe’s plan to launch a new world order using Walker’s tech. Now, Peter, Trace, Cori, and a band of runaways must stop Jobe and Walker before they enslave humanity through cyberspace.

Is It A Plaisir(en)

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

Eagle Eye(en)

Jerry Shaw and Rachel Holloman are two strangers whose lives are suddenly thrown into turmoil by a mysterious woman they have never met. Threatening their lives and family, the unseen caller uses everyday technology to control their actions and push them into increasing danger. As events escalate, Jerry and Rachel become the country's most-wanted fugitives and must figure out what is happening to them.

Jeff(en)

A phone sex operator loses her grip on reality, caught in a hypnotic relationship with a caller making disturbing confessions.

11 Letters Inside(ru)

This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.

Rosewater(en)

A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.

Final Warning(en)

Host Grant Jeffrey discusses how technology and government activities are changing the way our information is handled. How is this shaping our lives?

Speaking in Tongues: Take One(en)

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

Green Pink Caviar(en)

Models are seen licking brightly colored candy on a sheet of glass. The video illustrates the moment where clarity becomes abstraction and beauty commingles with the grotesque.