Alison Watt: Phantom

Through a Lens Darkly: Black Photographers and the Emergence of a People(en)

The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.

The Master Game(en)

At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?

Mr. Smith’s Peach Seeds(en)

In 1968 Roger Smith ate a peach during a break from work. When he was finished he took out a pocketknife and began carving the peach pit into a tiny pig. 43 years later the retired meter reader and cattle rancher from Culloeka, Tennessee, has carved hundreds of peach seeds into hummingbirds, stingrays, gospel choirs, entire villages, even a baseball stadium with more than 100 figures. "Given enough time," says Smith, "I don't think there is anything you can't make out of a peach seed."

Being Kae Tempest(en)

Poet, rapper, playwright and recording artist Kae Tempest is one of the most viscerally exciting artists working in Britain today. They are the youngest ever recipient of the prestigious Ted Hughes prize and have been nominated for both the Brit and Mercury music awards. Tempest has always found support and respect within the queer art scenes, a place close to their heart. In July 2020, they came out as non-binary, announcing that they would publish and perform under the name Kae. This film delves deep into their creative process and gains rare, intimate insights into Kae’s life throughout a period of profound personal and artistic change.

Charlélie - Les Statuts de sa Liberté(fr)

Red & Blue Make Purple(en)

A Local Reno Artist and DJ discusses the many inspirations behind her work and how it impacts herself and others.

Rocking '83 - Bear's Jam(en)

An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.

Make(en)

MAKE is a feature-length documentary for the modern creative, produced by the team at Musicbed. This film is a question. A conversation starter. It's an examination of the reasons we create and the things that drive us to make something new - passion or success. The film looks to examine the myth of creative success and what it means to live a healthy life as an artist.

Hardwicke Circus: The Prison Gig(en)

A short, low-budget documentary that follows a small jobbing band from the north of England called 'Hardwicke Circus' as they perform a gig and music workshop at 'Standford Hill HMP', a men's prison on the Isle of Sheppey in the south of England. Shot in Ben Archer's fly-on-the-wall 'gonzo' style of filmmaking and taken from the band's late-2019 tour of England's south coast, this documentary focuses on the joy of performance and music in an environment that does not often allow such expression. Bookended by short commentary from the band's lead singer Jonny Foster, 'Hardwicke Circus: The Prison Gig' is an uplifting ode to the power and necessity of art, even for those that society have deemed not to deserve it.

Meet You at the Hippos(en)

Actor Mark Bonnar is on a mission to understand more about the Scottish new towns in which he grew up, exploring the street sculpture made by artists such as his dad in the 60s, 70s and 80s. He discovers why the new towns are there and how they enticed people out of the bigger cities, and uncovers the surprising ways in which public art changed the new towns and the new towns changed public art. Mark's father, Stan, made sculptures that stand to this day on the streets of Glenrothes, East Kilbride and the Scottish new town that never was, Stonehouse. These new towns employed town artists to make artworks in the very housing precincts the new residents were moving into.

The Living Stone(en)

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

Eskimo Artist: Kenojuak(en)

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.

Water Lilies by Monet(it)

A journey through the masterpieces and obsessions of the Genius of the Impressionism, down the River Seine, from Le Havre to Paris and then up the river towards Argenteuil, Poissy, Vétheuil, Giverny – ending in Paris. A tour of the Museums displaying Monet's masterpieces: the Orangerie Museum, the Marmottan Museum, the Orsay Museum, ending in Monet's house and gardens at Giverny.

Conquest of Light(en)

Examines the mesmerising construction of clear crystal glass pieces created by the craftsmen of Waterford. The process from the intense heat of the furnace to glass blowing, shaping, cutting, honing, filling and finishing is all depicted in this celebration of the art of creation of Waterford Glass. Academy Award Nominee: Best Live Action Short - 1976.

Les secrets de François Truffaut(fr)

Back To Africa(en)

General Idea: Art, AIDS and the fin de siècle(en)

"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal." -AGO.net

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Alex Colville: The Splendour of Order(en)

A view of the life and works of the late Alex Colville, the celebrated Canadian painter. Shows the influence on his life and works of his experience as an artist during World War II, and of his relationship with his wife, Rhoda. Friends and critics speak of the construction and sense of menace in his work, and Colville comments on his sense of order, goodness, and contingency.

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