The Sunflower

The Umbrella(bn)

A school teacher meets a boy in the pouring rain.

RETURN(en)

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Return(en)

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

Fun(en)

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

Pig(en)

Across America, small town cops rule the land. And what you hear about these prejudiced police is often true. This is the story of one such cop. Part mythic folk hero, part bad-ass, he is both feared and admired, hated and loved by the residents of his town. Witness first hand the violence and boredom consuming this law-man's daily routine. Come, take a ride with Pig.

Return(fr)

Happy Days Are Here Again(nl)

Bye Bye Sally(en)

Life has been cruel to Sally Grimshaw and she has had enough. It's time to end it all. In a last ditch effort to save herself she calls a suicide hot-line and is persuaded to come in and see one of their mental health counsellors - Mr. Vincent. But Mr. Vincent has no intention of talking her out of killing herself. In fact, he runs a service that matches suicidal clients with potential hits. I mean, if you're going to kill yourself you might as well take out some human scum at the same time. At first she refuses, but life is never going to be kind to Sally and she finally agrees - she's in. Sally is faced with the moment of truth when she has to perform the hit. And it is always in such moments that we discover a truth about ourselves. And in such a moment, Sally discovers a reason to live.

Evolução(pt)

Lucia di Lammermoor(en)

Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In this DVD of Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from London’s Royal Opera House, she is, as the Financial Times wrote, “brilliantly convincing”. The British award winning director Katie Mitchell – took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. The Financial Times wrote: “Mitchell shows us on stage personal traumas that a self-respecting woman in the early 19th century was meant to keep to herself. It is a messy, bloody list — nocturnal sex trysts, a knife murder, a miscarriage, a suicide in the bath … In all this Damrau is brilliantly convincing. Her rebellious Lucia is a woman of modern attitudes stuck in a still feudal Victorian world.”

Monochrome(id)

Give My Regards to Broadway(en)

A family vaudeville act is threatened when the eldest son is offered a contract to play baseball. Musical.

Return(en)

A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.

Soho(fr)

Soho, an aspiring young woman of about 30, lives on the fringe with all those who, like her, believe that one day they will be a famous writer, a star dancer or a famous director. While waiting for that day, they take up yoga, positive thinking, or various forms of electronic macramé. One hot summer evening, Soho meets 18-year-old Choubie, the other generation with a bright future ahead of her. At 102o, in the shade, in a suburban basement, Soho realizes that she is no longer young, almost poor, and that meditation has not opened the doors of any paradise, even earthly.

Dunja(de)

Strangulation Blues(fr)

A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late? It's too early to say.

El Báculo de Pioquinto(es)