Los mas pequeños: un retrato del ejercito zapatista

30 ans après...(fr)

A Place Called Chiapas(en)

In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.

Zapatista(en)

"Zapatista" is the definitive look at the uprising in Chiapas. It is the story of a Mayan peasant rebellion armed with sticks and their word against a first world military. It is the story of a global movement that has fought 175,000 federal troops to a stand still and transformed Mexican and international political culture forever.

People Without Faces(es)

Independent documentary created by group of enthusiast from Russia. It covers the topic of Zapatista uprising in Chiapas, Mexico and struggle of Mexican indigenous peoples for justice, liberty and democracy.

Zapatista Women(es)

April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.

The Revolt of Dignity. The Zapatista Movement in Chiapas(de)

On January 1, 1994, thousands of indigenous people occupied seven towns in the southern Mexican state of Chiapas under the slogan "Ya Basta!" (Enough!) occupied seven towns in the southern Mexican state of Chiapas. For two weeks, the Zapatistas - who named themselves after the revolutionary Emiliano Zapata - fought armed against the government, which had only contempt or violence for them.

After the Revolution(es)

The impact of the Zapatista uprising in Chiapas, Mexico, on the lives of the Mayan women who joined as rebels to seek justice within their own culture.

¡Ya Basta! 30 Years of Zapatista Autonomy(en)

In the mountains of Chiapas, a rebel experiment in autonomy continues to thrive – thirty years after its declaration of war against the Mexican state. ¡Ya Basta! 30 Years of Zapatista Autonomy, a Modern Insurgent documentary, explores the legacy and future of the EZLN, reflecting on how a masked, rural rebellion reshaped Mexico’s political landscape and inspired activists across the globe. What does revolution look like when it refuses to seize state power? And what can the world learn from a community that continues to build its own system from the ground up?

Curse of the Weeping Woman: J-ok'el(es)

An unworldly and closed-minded American travels to a small village in exotic Chiapas, Mexico; at the behest of his estranged mother when his half-sister disappears during a local epidemic of kidnappings attributed to the legendary J-ok'el, the weeping woman, who drowned her own babies, centuries ago and whose spirit has returned to claim more children as her own.

Akateko. La aparición de san Miguel Arcángel(es)

Diary of an Unexpected Journey(es)

A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.

La negra Angustias(es)

When her father dies, a young Afro-Mexican woman joins the Revolution, the way he was planning to do, and becomes the leader of a Zapatista battalion.

Velvet Underground's First Public Appearance(en)

Velvet Underground's first public appearance.

In Between(en)

Footage from 1964-1968 that did not find its way into the Walden reels is joined in this classic period piece. Mostly centered in New York, it also includes travel footage and appearances by David Wise, Salvador Dali, Allen Ginsberg, Jack Smith, Shirley Clarke, Jane Holzer and more. Mel Lyman plays his banjo on the roof.

Notes for Jerome(en)

During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.

Paradise Not Yet Lost(en)

The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year.

Off We Go!(de)

Documentary short on the Octoberfest in Munich.

Scenes from Allen's Last Three Days on Earth as a Spirit(en)

This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.

To Barbara Rubin with Love(en)

This is a mini-portrait of one of the legendary figures of the 60s who should be credited for the discovery of the Velvet Underground, for saving Bob Dylan's mind after the motorcycle crash, for her pioneering sound/image installations, for keeping the New York Sixties' art community together, for one of the key works of erotic cinema Christmas on Earth, and etc. and etc.

Report from Millbrook(en)

Jonas Mekas documents Timothy Leary’s Millbrook estate in the wake of a police raid, juxtaposing serene images of the property with audio of officials justifying their actions. Blending diary footage with subversive reportage, the film exposes the gap between perception and authority, offering an oblique portrait of the counterculture and its suppression.