

Julia Bullock, Joyce DiDonato and Jakub Jozef Orlinski star in Katie Mitchell’s thrilling new production of Handel’s Theodora in an alternative modern-day reality, Theodora, a religious fundamentalist, plots for the resistance against the Roman occupation. But when her secret plan to destroy the Roman embassy is discovered, she learns the true brutality of her oppressors. Harry Bicket conducts the Orchestra of the Royal Opera House
2023-05-26
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0.0From the Teatro dell'Opera di Roma Terme di Caracalla "Carmen" by Georges Bizet. Director Jesus Lopez-Cobos. Orchestra, Chorus and Corps de Ballet of the Teatro dell'Opera di Roma.
0.0The Royal Ballet and the Royal Opera collaborate in Wayne McGregor's production of Handel and Gay's classic opera, in which the nymph Galatea falls in love with a shepherd named Acis.
0.0Opera Australia's 1976 production of Lakmé, an opera in three acts by Léo Delibes, with a French libretto by Edmond Gondinet and Philippe Gille. Set in India during the British Raj, the story focuses on Lakmé, the daughter of a Hindu priest. Lakmé's life is troubled by her infatuation with a British officer.
6.1In this musical set in an all-Black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War.
6.3Aging opera singer Maria Callas tries to make a comeback by performing in a production of Bizet's "Carmen."
6.5This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.
8.0The Queen of the Night has begged Prince Tamino to free her daughter Pamina from the clutches of the High Priest Sarastro, who has abducted her. Together with the bird-catcher Papageno, Tamino enters Sarastro's realm to seek her. When he finds her, the two fall in love, but they have to have to undergo ordeals before they can be together. At the end, Papageno is also rewarded with his Papagena.
0.0The European premiere of the opera by the contemporary American composer John Adams, with libretto by Peter Sellars, in a co-production of the San Francisco Opera (where the work premiered), the Lyric Opera of Chicago, and De Nederlandse Opera. The plot focuses on the great stress and anxiety experienced by those at Los Alamos while the test of the first atomic bomb (the "Trinity" test) was being prepared.
6.2It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience.
7.6Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.
6.8During the Turkish artistic revolution of the 1930s, a group of pioneers staged Özsoy Opera, the first opera in the history of Turkish Republic.
0.0As renowned for its harmonious overture as for its romantic storybook characters, this three-act masterwork features some of the composer’s most groundbreaking and unforgettable music, as well as a theme the young Wagner would revisit again and again later in his career—the redemptive and transcendent power of a woman’s love. The enchanting plot harks back to medieval history: Wolfram is a lovesick troubadour who desires the virtuous Elisabeth. She, however, has eyes for another: the rebellious knight Tannhäuser, who in turn cannot get over an overwhelming sensual experience in the realm of the goddess Venus, and is banished for singing her praises at court. Only saintly Elisabeth’s death can atone for his misdeeds.
7.6Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
0.0A new generation of rising stars shines in Franco Zeffirelli’s classic production of Puccini’s most popular opera. Vittorio Grigolo is the poor poet Rodolfo who falls head over heels for his neighbor, the seamstress Mimì, sung by the radiant Kristine Opolais. Susanna Phillips is the flirtatious Musetta, Massimo Cavaletti is her sweetheart Marcello, and Patrick Carfizzi as Schaunard and Oren Gradus as Colline complete the ensemble. Stefano Ranzani conducts.
0.0This 1969 BBC production is about as close as we can get to a definitive version of Benjamin Britten's PETER GRIMES, one of the greatest 20th Century operas. The story of the individualistic fisherman hounded by his neighbors who believe he murdered his young apprentice packs tremendous emotional power. The compelling narrative is richly enhanced by its subtexts: the lone outsider versus the conformist mob; the dreamer of improbable dreams that lead to tragedy; the artist (dreamer) versus the Philistines, and the homosexual overtones of Grimes' abuse of his child apprentices. Britten is conductor of his work and tenor Peter Pears is Grimes, 25 years after he created the title role at the opera's premiere. As the widow Ellen Orford, soprano Heather Harper is magnificent. Best of all, the sea is an ever-present actor here. When we don't see it in the background it exerts its presence in the abundant visual references to nets, barrels, and other paraphernalia of a seaside fishing village.
6.4The Franco Zeffirelli production of Puccini's "Turandot", recorded live at the Metropolitan Opera in April, 1987. Éva Marton stars as Turandot, with Plácido Domingo as Calaf, Leona Mitchell as Liù, Paul Plishka as Timur, and Hugues Cuenod as L'Imperatore Altoum. James Levine conducts.
0.0Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In the production by BAFTA winners Mosh Leiser and Patrice Caurier, which plays with prejudices about clashing cultures, Mustafà is no longer an Ottoman bey, but a shady gangster who traffics electronic goods in the port of Algiers.
7.8Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.
7.2This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.