Duration-Difference

back home(en)

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

How to Be a Candid Woman(en)

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.

The Image Book(fr)

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Coplas mecánicas(es)

Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.

My Courtyard(en)

During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.

Sirens 77 True Love(en)

Two gay men in Japan discuss the end of their respective relationships.

Last Room(fr)

8 Points(ar)

"Birth is not a beginning and death is not an ending. They are merely points on a continuum." - Elisabeth Kübler-Ross

Algérie Couleurs(xx)

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973

Teatro Circo de Orihuela(es)

Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.

The Long Voyage of the Yellow Bus(pt)

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Herkules(de)

Slot in Memory(ar)

In Slot in Memory, a 2013 short from Syrian filmmaker Khaled Abdulwahed, images of war are only visible through a tiny crack in an otherwise dark frame. Abdulwahed cuts between this crack and simple footage of children from Lebanon’s Sabra and Shatila refugee camps playing happily on a swing. Abdulwahed has said he had initially set out to tell a more direct account of war and trauma, but because he was physically unable to reach warzones inside Syria, he felt he couldn’t do such a project justice. Instead, filming the kids, he discovered the swing they were playing on had a crack in it, which inspired him to make the visual connection with the obscured war footage.

That Child with AID$(pt)

That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.

Heart Murmurs(zh)

Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.

This Bed I Made(en)

This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.

Losing the Light(en)

Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.

All Star Video(ja)

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

I AM(es)

A short film about life.

Fragments of a Revolution (Sahneye Tarikh)(en)

An experimental film about narrations of two journal photos from Iran's revolution in 1979.