Narrator (voice)
0.0Pure tranquillity in rural Somerset, a world away from the war raging on the continent.
0.0A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!
To popularize the idea of automobile travel, Ford Motor Company produced Ford Educational Weekly, a film magazine distributed free to theaters. One 1916 series featured "Visits to American Cities." In this episode, Los Angeles is featured at the very beginning of the boom created by oil, movies and aircraft. On the occasion of its centennial in 1953, Ford donated its film to the National Archives and Records Service; this copy derives from a fine grain master printed from the Archive's preservation negative. Music by Frederick Hodges.
David Lloyd George tours Germany, escorted by Nazi government officials, while his chauffeurs lark about with an SS Officer. Lloyd George was pro-German from the mid-1920s, and met Adolf Hitler in 1936. However, by 1938 he had become a leading opponent of appeasement with Germany. This film is believed to have been shot by George Ryder, Lloyd George's chauffeur.
0.0Sports enthusiast Ernest is to cover 6,000 kilometers on his motorcycle in 15 days, crossing Austria, Italy, Switzerland, the Balkans and Czechoslovakia.
5.0Made in 1896 during the flat racing season (March-October) at Stockton Racecourse, a former horse racing venue in Thornaby-on-Tees, North Yorkshire, UK. Several horses are ridden by jockeys past the camera. Many men in flat caps from the crowd run onto the course and run past the camera at the end of the race. Two policemen follow the men.
An essay film that interweaves meditations on travels with stories of journeys in China across a century: A student expedition into the heart of China in the 1930s, a young traveler's visions of the melancholic landscapes of his homeland, the narratives of movements in early Chinese silent films. Through these fragments of travelogues, the film explores the nature of consciousness in motion and what it means to use archives, images, and cinema as documentations as well as vehicles for travel.
7.2Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
7.4A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
6.0This Traveltalk series short visits Hungary's capital, Budapest.
6.9Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.
Herbert Achternbusch's poetic travel diary assembles images and monologues from a trip to China.
0.0A portrait of sculptor Barbara Hepworth revisiting the Yorkshire landscapes that inspired her and her home studio in St Ives, Cornwall.
0.0Inspired by Chris Marker's Sans Soleil, a girl decides to make her own rendition of Marker's mesmerising voyage through Japan, only for it to turn awry when she encounters another girl - a recurring stranger - haunting her path.
0.0Documentary about the photo session for the photobook "Castella", filmed in Portugal.
A documentary about the making of Joe Cash's last directorial feature film Carnal Redemption, showcasing the behind the scenes, the preproduction hell of the film and the mayhem which goes into a Joe Cash film.
0.0The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.
6.6In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.
7.0In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
