Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
In the Bernese Alps, the Agassizhorn peak memorialises Louis Agassiz – a controversial 19th-century scientist, who not only named the mountain after himself, but who claimed he had discovered the Ice Age and went on to become one of the century's most virulent, most influential racists.
The Impossible Hour is a concentrated study of Ole Ritter's attempt in Mexico City in 1974 to set a new record for the hour - described in the film as "the noblest, most difficult record that can be set on a bicycle". A brief retrospective in black and white sets the historical framework, with shots of Ritter and Eddy Merckx' successful record attempts in 1968 and 1972 respectively, and a few words about former record holders such as Fausto Coppi.The film follows Ritter's three record attempts chronologically, which, accompanied by a Mexican marching band on the bandstand, all fail.
Short film about "Yuyanapaq", the photo exhibition of the armed conflict in Peru, at Casa Riva Agüero, Chorrillos, Lima-Peru.
Shot in the Dark is a documentary on three blind photographers: Pete Eckert, Sonia Soberats and Bruce Hall. A documentary on three blind people who devote their lives to creating images. What do they see in their mind's eyes? Do they sense that which we sighted miss, overlook, or don't take into consideration? Their images, as we sighted can see, are extraordinary. "Even with no input the brain keeps creating images," says Pete Eckert. Sonia Soberats states, "I only understood how powerful light is after I went blind." Shot in the Dark is a journey into an unfamiliar yet fascinating realm. "My camera is like a bridge," claims Bruce Hall. All these photographers embrace fantasy, chance, and contingency at a fundamental level. Shot in the Dark enriches our understanding of perception and creation. We all close our eyes in sleep, the sighted and blind alike, and in our dreams - we see.
This documentary follows 200 days in the life of contemporary artist Hiroshi Sugimoto— a leading presence in the world of modern art. He is the winner of many prestigious awards and his photographs are sold for millions of yen at overseas auctions. The film shows the sites of the Architecture series shot in southern France, the huge installation art work at 17th Biennale of Sydney, his new work Mathematics at Provence, his art studio while working on Lightning Fields, and more. It thoroughly pursues the question Sugimoto's works pose - "living in modern times, what are these works trying to tell us?" A thrilling look into the world of Hiroshi Sugimoto.
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
He found fame in his teens with images of his native New York, then lost it again.
Julius Shulman: Desert Modern focuses on Shulman's remarkable 70-year documentation of the renowned Mid-Century Modern architecture of the Palm Springs area/ Shulman, at the age of 97, describes with humor and insight his artistic intentions and the back-story to some of his most legendary photographs. He is joined by noted architectural historian Alan Hess and Michael Stern, co-authors of the book, "Julius Shulman: Palm Springs". Stern is also curator of the "Julius Shulman: Palm Springs" exhibition which originated at the Palm Springs Art Museum in February 2008. The flm showcases Shulman's inspired photography of the architecture of Richard Neutra, Albert Frey, John Lautner, E. Stewart Williams, Palmer and Krisel and William Cody, among others. E. Stewart Williams' Frank Sinatra House is featured, as well as Richard Neutra's Kaufmann House, one of the most famous homes in America, largely due to Shulman's iconic 1947 photograph.
In the early morning of a middle summer day of 2013 the ultra-athlete Nico Valsesia reached the summit of Mont Blanc (4810 metres). But Nico wasn’t an alpinist like the many others with him that morning. He conquered the highest summit of Europe after a no-stop riding almost 17h long, started the day before by bicycle from a beach in Genoa. The first Mont Blanc 24 hour record was beaten by Marino Giacometti in 1997 (23hrs) and subsequently by Andrea Daprai in 2008 (18 hrs 58’). From that day on, Nico launched the project “From Zero To…” and continued to add records and summits (Aconcagua, Elbrus, Kilimanjaro). ”Summit” tells all the efforts that Nico and his team have made for making possible this epic challenge.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times
In 1998 Marco Pantani, the most flamboyant and popular cyclist of his era, won both the Tour de France and Giro d'Italia, a titanic feat of physical and mental endurance that no rider has repeated since. He was a hero to millions, the saviour of cycling following the doping scandals which threatened to destroy the sport. However, less than six years later, aged just 34, he died alone, in a cheap hotel room, from acute cocaine poisoning. He had been an addict for five years. This is the story of the tragic battles fought by the most important Italian cyclist of his generation; man verses mountain, athlete verses addiction, Marco Pantani verses himself.
John Baumhackl recalls the early days of the Vietnam War when more and more troops were being sent into combat every month. In 1968, John's number came up and he was drafted into the conflict. Buying a camera at his company store before shipping off, he captured many battles while in a helicopter. John was near the front lines when President Nixon made the controversial decision to push into Cambodia. In John's view, this saved American lives.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
In 1970s New York, photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become an influential godmother to a global movement of street artists.
Documentary about San Francisco photographer Michael Jang
Hundreds of boxes left by the famous uruguayan musician and political activist Alfredo Zitarrosa (1936-1989) who run away the dictatorship in the 70s, have not been touched since his death 27 years ago. Now his wife and daughters are trying to save the memories, tapes, music and sound recordings that the boxes contain to the posterity.