
Himself
Matthew Smith
0.0Five young women who survived unimaginable abuse and rape tell their stories of a gang grooming spanning 20 years. Failures of police and social services continue to this day.
9.0For almost half of his life, Kenneth Viken has been in prison, and he does not know how many times he has been released, only to soon return . In January 2016 he is released again.
6.0At the age of 10, Natascha Kampusch was kidnapped and held captive for eight years by a deranged man. In 2006, she managed to escape, and the world discovered an astonishingly articulate and intelligent young woman. Not only did Peter Reichard film 14 hours of conversations with Kampusch, but he was also the very first filmmaker to obtain exclusive access to the house where she was imprisoned. This is the most complete, explicit and revealing documentary in which Kampusch has participated.
8.0This Emmy award-winning documentary explores the deeply rooted psychological issues that victims of sex trafficking face on a daily basis at the hands of pimps and buyers. Through firsthand testimony of abuse from three survivors of the illicit sex trade, the complex nature of this form of modern-day slavery is revealed. Investigative interviews with leading experts provide further insight on what drives the industry, exposing misconceptions many of us harbor that allow sex trafficking to thrive.
0.0An estimated half a million women are being transported to Western Europe by sex traffickers every year. It's a multi-million pound business where, for the traffickers, the rewards are high and the risks are low. But, for the girls, the consequences are brutal and potentially dangerous. Following a route which begins in the former Soviet Republic of Latvia and leads to Denmark, Ireland and the UK, Sue Lloyd-Roberts uncovers a murky, cruel world in which employment agencies seduce young women with false promises, unscrupulous pimps abuse them and the police and judiciary turn a blind eye to this contemporary form of slavery.
0.0For over 50 years, British undercover police officers have infiltrated activist groups, specifically targeting and manipulating women, forming romantic relationships and even having children with them. Now, three women don animal masks and revisit scenes from their past as animal-rights activists who were taken advantage of by spycops in order to reclaim their power, agency and narrative.
0.0Survivors of violent crimes and prisoners incarcerated for murder connect to undergo astonishing transformations, liberating themselves from the debilitating constraints of trauma, and shattering preconceptions of "us and them."
0.0A short documentary examining the consequence of time within the fragility of memory, exposing a sense of self, trapped within materiality and fantasy. We observe Chrystalla in her safe place, her home, reflecting on her childhood, her successful beauty business in 70s Cyprus and her deeply troubled marriage. Loneliness, abandonment and regret are prevailing themes within cycles of reflection, jest and contradiction.
0.0Seven strangers are interviewed to talk about the relationship they have with their mother.
7.4Filmmaker Amy Berg sheds light on the sexual, financial and spiritual abuses heaped upon members of the Fundamentalist Church of Jesus Christ of Latter-day Saints by their former leader, Warren Jeffs.
5.8Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.
0.0Stacey Dooley goes behind closed doors and speaks to the now younger face of domestic violence. She questions victims and abusers to try and understand how deep the issues surrounding domestic abuse are for those who have survived and those currently experiencing the abuse.
2.0What started for fifteen-year-old Manon as a secret holiday romance at an all-inclusive resort, slowly turned into a memory that she looks back on with less pleasure. She fell in love with Hugo, the big star of the animation team. He wrapped her up with beautiful words, that she was special to him. Although Hugo was much older than Manon, he still had sex with her. At first it felt good, but slowly it turned into a memory that she would rather not think about anymore. What happened during that holiday and how could it have happened? She goes looking for answers and comes face to face with Hugo.
Uncovers the system of abuse and denial that killed a 14-year-old boy in a Florida Boot Camp.
6.5A stark documentary about young male prostitutes in Prague, aged 15 to 18, who work the streets, train stations, and clubs. Through candid interviews and behind-the-scenes footage of gay porn shoots, the film explores their lives, struggles, and dreams, touching on themes of exploitation, identity, AIDS, and survival.
5.5Every year in Quebec, 25,000 reports of children being beaten, sexually abused or abandoned are retained by the Directorate of Youth Protection. And nearly 40% of babies who die in the province to die because of the violence of their parents. This explains the fact that nearly 30,000 children are supported by the DPJ until the age of 18. But this government agency is in a position to meet the needs of young people? Journalist and documentary filmmaker Paul Arcand presents the testimonies of children and adult victims of abuse of all kinds, and interviews politicians, social workers and members of the judiciary on their perception of the problem. In addition, Arcand denounces the carelessness of a bureaucratic system that does not always seem to be concerned about the well-being of those for whom they are responsible.
10.0Pia Sjögren was the subject of three documentaries by director Tom Alandh, beginning in 2001. He first saw her on the street selling newspapers, homeless, addicted to drugs, trying to make enough money for the day. Since then, she has become clean, and now gives lectures about her experiences, sharing her knowledge. This is the fourth film about her, filmed between 2011-2020. At the start of this installment, Pia has recently begun having heart and breathing issues, her own daughter is in prison for narcotics, and her mother, who we were introduced to in previous installments, continues to struggle with rapidly decreasing eyesight.