Hugo (Fred Armisen) is lured out of a lonely, self-imposed exile by nine magical fruits and the music of Danielson.
A documentary on the vaudevillian art-pop band.
Many-many words have been written and a few ingenuous TV documentaries have been filmed about the great Russian rock band Auktyon (АукцЫон), which recently celebrated 30 years of playing music. Everything is completely different in the case of the film Encore: it took seven years for the director, Dmitry Lavrinenko, to make it; he needed just that amount of time to capture the wayward grace still preserved by Fyodorov, Garkusha, Ozersky and their associates. If you look behind the powerful music façade, you find not a story of a band but chronicles of a voyage aimed at incredible, incomparable music. Encore shows how the songs which are now known by heart were composed; it also shows things generally left aside: pieces of everyday life, tour diaries, conversations, including the key phrase: “You should not look at the liberty too much, you might feel dizzy.
In The Deep Shade is a feature length film about The Frames. Filmmaker Conor Masterson worked closely with the band over 18 months, beginning on their 20th anniversary tour in 2010. 'The Frames have always been very positive collaborators. I felt this was an opportunity to make a film that could explore their creativity as people and musicians as well as capturing some of their very dynamic and exciting live performances in close up.'
Holger Diekmann was a singer, bass player, and drummer in multiple local bands throughout his short life. Filmmaker Jonas Helmerichs sets out to learn what kind of person his late uncle was. Intimate family portrait and exploration of grief, depression, and death.
Mourning his past relationship, heartbroken college senior Austin Caldwell becomes obsessed with the "Big Break" song competition, convinced that the only way he'll be able to move on, is if he wins.
The stories of some of the biggest artists in music, recalling the romance and adventure, as well as the idiocy and chaos, of their time on the road. While the world has changed, the custom has not changed. There is no other way to know whether you can make it in this business. You have to get in the van.
The Strokes — signature rock band of the new century — close out an amazing three-album opening run with the tour captured at the Montreux Jazz Festival in Switzerland, in July 2006.
A Film by Andre Perkowski Made Out Of All The Other Beach Boys Films
A documentary film chronicling the rehearsal, preparation and performance of a Fishmans concert performed on February 19, 2019 @Zepp Tokyo.
David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.
Sleater-Kinney performs live to a completely sold-out house at the Palace Theatre in St. Paul, Minnesota. The band will bring new songs from their 2019 album 'The Center Won't Hold' – as well as tunes from their entire discography – to life on stage in this can't-miss concert.
Filmed at the launch party for their debut album 'Lungs', Florence and the Machine performs the songs at the Rivoli Ballroom in this special concert.
Adrian Edmondson narrates a documentary chronicling the story of Stiff Records, a tiny independent that took music out of the boardroom and gave it back to the fans. Stiff's successes included Nick Lowe, the Damned, Elvis Costello, Ian Dury, Madness, Tracey Ullman and the Pogues. Contributors include Captain Sensible, Jonathan Ross, Suggs, Shane MacGowan and label founders Jake Riviera and Dave Robinson.
The true story of punks, queers, & criminals on a ride with two men who accidentally changed music along the way.
The creation journey ended up taking me to a mossy, windswept Iceland and so many unforgettable places in between.
The film explores the “acute suffering” and transcendent glory experienced by current and former members of King Crimson, allowing the audience an intimate and sometimes uncomfortable insight into the musicians’ experience as they confront life and death head on in the world’s most demanding rock band.
In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of the 1980s and '90s is explored, specifically with regard to how it transcended clichés about where music was heading in that era. Taking its title from renowned independent cinema pioneer John Cassavetes, the black-and-white film takes a peek at several fringe bands of the period, including Sleater-Kinney, the Make-up, and the Hi-Fives, and their various attitudes toward the ever-changing business.