The Water Is Finally Blue: The Untold Story of Robert Altman's O.C. and Stiggs

Hollywood Singing and Dancing: A Musical History - The 1940s: Stars, Stripes and Singing(en)

This is a two-hour in-depth exploration into the Hollywood musicals of the 1940s.

The Making of 'Nosferatu'(en)

Werner Herzog discusses the making of "Nosferatu" on set.

Tennessee Williams' South(en)

The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.

Out of the Shadows: The Films of John Cassavetes(en)

Get the scoop on the legendary actor-director-New Yorker John Cassavetes straight from the mouth of his friend, peer and co-star Peter Falk (Columbo) in Paul Joyce’s documentary, Out of the Shadows: The Films of John Cassavetes. Falk lays bare the quirks and gifts of the director of The Killing of a Chinese Bookie and A Woman Under the Influence, and star of De Palma’s The Fury and Tarantino favourite Mikey and Nicky, in this outright and honest interview.

Ballad of Exiles: Yılmaz Güney(tr)

In 1981, iconic Turkish film director escapes jail to France, his last work re-creating with other exiles the prison lives they left behind.

Notfilm(en)

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

Harold Lloyd: The Third Genius(en)

A film about the career and methods of the master silent comedy filmmaker.

30 Years of National Geographic Specials(en)

Celebrates 30 years of televised specials by The National Geographic Society.

Engi – Sound Designer Ivo Špalj(cs)

A look at the legendary Czech sound designer and his profession. Editor and documentary filmmaker Adéla Špaljová has her father Ivo Špalj talk about his life, career, and working methods. Over the course of his long life, sound designer Ivo Špalj (*1940) has collaborated on hundreds of films and become a mentor for at least one generation of men and women behind the mixing board. This gentle documentary also shows “Engi” (as he is known to his colleagues) again working with Jan Švankmajer, whose films he has lent their typical, dense, and sophisticated sound mix.

This Changes Everything(en)

An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.

Killing for Culture: The Birth of Atrocity Cinema(en)

A feature-length documentary film adaptation of the 1994 non-fiction book of the same name, chronicling the history of Mondo cinema and the "death film".

Ding Dong, You're Dead! The Making of "House"(en)

Retrospective documentary taking a look back at the making of House, the 1985 horror film that became a nice little hit when it was originally released. Featuring interviews with producer Sean S. Cunningham, director Steve Miner, story creator Fred Dekker, cast members William Katt, George Wendt and Kay Lenz, composer Harry Manfredini, stunt coordinator Kane Hodder and various members of the special effects crew.

The Making of 'Crimson Tide'(en)

This documentary provides viewers with a behind-the-scenes look at the making of this high-tension thriller about the decisions faced by a submarine crew who think the President may have ordered a missle launch. Includes interviews with stars Washington and Hackman, as well as other members of the cast and crew, who relate their experiences in working on the film.

A. K.(fr)

An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.

El Cepa Returns(es)

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Renouer avec le vivant(fr)

Regreso a «Viridiana»(es)

Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.

We Were Once Kids(en)

In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.

Farts of Darkness: The Making of 'Terror Firmer'(en)

Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.

Room 999(fr)

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”