

Asil is a young Syrian refugee awaiting documents in Turkey while processing the trauma of losing her home and family. Her story gives voice to a charming gigantic puppet named Amal, who represents millions of migrant and displaced children in a walk from the Syrian border in Turkey all the way across Europe. Escorted and animated by a group of puppeteers who are themselves refugees, Amal’s epic journey is one of compassion and discovery.
2023-11-09
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7.4Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.
7.0Film reconstruction of five real stories about the heroic deeds of the residents of Kyiv region during the Russian occupation. A story about those who heroically and selflessly saved tens of thousands of Ukrainian lives.
7.7Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.
10.0Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...
8.0As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.
0.0What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …
0.0The film follows the refugee crisis in 2015 and 2016 from the perspective of a young Lebanese woman, Boushra Jaber. She came to Serbia in 2015 to work on her PhD. Driven by a deep desire to help she started working as an Arabic translator in a refugee camp in Presevo, on the Serbian-Macedonian border. During her three months in the field, Boushra faced personal and professional challenges that put her beliefs to the test.
4.6Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.
0.0Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.
0.0The 40-day war has just ended in Armenia. David completed a 2-year service and has returned home from the front. Uncertain about his next steps, he is actively searching for a job that resonates with him. Arthur served in the army for a year and is currently on vacation. He continues his efforts to recall his favorite tune on the piano. Serezha harbors jealousy toward his brothers who experienced the war. He is getting ready to enlist in the army, as he will turn 18 this year. All three are brothers, and they are all Nina's children.
0.0The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.
6.8When on February 24, 2022, Russian troops attacked Ukraine, the world stopped. The first shock, however, quickly turned into action. It was a natural impulse of the heart, Poles could not leave their neighbors, their friends from Ukraine completely alone. Almost everyone, residents of small and large cities, young and old, rich and poor, became involved in helping Ukrainians, opened their homes for those fleeing the war, and began to organize humanitarian aid. Did they pass the humanity test?
8.0September 1st, 1939. Nazi Germany invades Poland. The campaign is fast, cruel and ruthless. In these circumstances, how is it that ordinary German soldiers suddenly became vicious killers, terrorizing the local population? Did everyone turn into something worse than wild animals? The true story of the first World War II offensive that marks in the history of infamy the beginning of a carnage and a historical tragedy.
4.8In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.
0.0Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
0.0Easy Company, the 2nd Battalion of the 506th Parachute Infantry Regiment of the 101st Airborne Division, fought their way through Europe, liberated concentration camps, and drank a victory toast in April 1945 at Hitler's hideout. Veterans from Easy Company, along with the families of three deceased others, recount their horrors and victories, bonds they made and the friends they lost.
5.0An unlikely collaboration between a forensic scientist from Texas and a group of Latin American students changes the course of forensic science and international human rights.
6.8An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.
8.0From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.