Road

Hatred(pl)

Summer of 1939. Zosia is a young Polish girl who is deeply in love with Ukrainian Petro. Their great love will be put to the test when her father decides to marry her to a wealthy widower Skiba. Right after wedding she is left alone because her husband is drafted to the Polish army for the war with Germany. Meanwhile, tensions grow due to Jews, Poles, and Ukrainians living side by side.

The Boy in the Striped Pyjamas(en)

When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel's fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp's walls.

Welcome to Dongmakgol(ko)

Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.

1921(zh)

Tells the story of a Communist Party's early history during the turbulent era, examining the remarkable Chinese revolutionary leaders' zeal and contrition for the ascension of the Chinese people.

Majuba: Hill of Pigeons(af)

Set during the first Anglo-Boer War 1880-1881 details the events leading up to this final battle ending in one of the most humiliating defeats for Britain in history.

Chronicle of the Years of Fire(ar)

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

The Green Guerillas: The Fight For The Philippines Rain Forest(en)

Filmed in a village of the indigenous Mandaya people, located in a mountainous area of southeastern Mindanao, the country's second largest island, the documentary portrays the struggle of the Communist Party of the Philippines and its armed wing, the New People's Army, for the rights of indigenous Filipino peoples and the environment, which are constantly under threat from landowners, large logging companies and agribusiness.

The Gestapo: Hitler's Secret Police(en)

The rise and fall of Nazi Germany's terrifying secret police force from 1933 through 1945.

El Fidayoune(ar)

Opium and the Stick(fr)

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

Days of Glory(fr)

A heroic guerilla group fights back against impossible odds during the 1941 Nazi invasion of Russia.

Black Fox: The Rise and Fall of Adolf Hitler(en)

The rise and fall of Nazi Germany in part through the use of classical allegory.

Army(ja)

A Japanes widow raises her sickly son to be strong enough to join the army and fight on the front lines of WW2.

The Winds of the Aures(ar)

Le Vent des Aurès – the first road movie of Algerian cinema – describes the transformations of the daily life of the Algerian people during the destructive French occupation, then during the war of liberation. While military repression is in full swing, a peasant woman finds herself alone in her mountain home when her only son is kidnapped by French soldiers shortly after her husband's death during a raid. One day, seeing a dead chicken, which she considers a bad omen, she decides to leave home and embarks on a painful journey through the mountains. Accompanied by a couple of chickens, she moves from one detention camp to another in a desperate search for her missing son. The film is inspired by the events experienced by the director's family.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Sissi: The Fateful Years of an Empress(de)

After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.

The Basque Ball: Skin Against Stone(es)

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

Indochine(fr)

Set in colonial French Indochina during the 1930s to 1950s, this is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement.

Un pays sans bon sens!(fr)

Essay-film on a crucial issue: the notion of belonging to a country. Lingered sentimentalism or deep psychological reality if one believes it is rooted in the heart of man? The action here takes place in the context of a nation that seeks: the French Canadians, and other people without a country: the Indians of Quebec, the Bretons of France. And here is the fundamental question posed: what are the "viable" peoples whose "maturity" allows them to "give" the autonomy and territory? And what is the environment that people can call "their country"?

In the Name of God(hi)

The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.