Yu Tian (played by Hu Tian) is a senior this year. He hasn't returned home for a few years while studying in a big city. The estrangement between him and his mother (Lin Jiehua) is somehow getting bigger and bigger. He is immersed in his artistic dreams and is not practical, but his mother, who has always been conservative, does not understand. His friends remained the same, still the same young people in the small town. Friends booed that he would be the most promising one among them, but he himself was convinced. He told his sister (played by Sun Nan) that he would go to the big city to make a fortune.
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
Following a single father & his 3 kids, watch the struggle, stress, & strength of what the everyday life is like growing up & those growing pains called life.
The film twice states that it doesn't intend a moral injunction, but it clearly does with comments such as "our society... regards sexual intercourse outside marriage as irresponsible and possibly disastrous" and "you can use your knowledge with responsibility and real love or you can use it wantonly and with mere animal appetite". This is clearly marriage education not sex education.
This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.
A free-flowing, poetic short film filled with expressionist imagery, old photos and abstract moments, led by a voice-over in which the director tells us personal memories of his youth and his recent life in the hopes of sketching a clear image of the complex struggle of growing from an innocent child to a weary adult.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Haitian history is presented through an explosion of colour, dance and music, as the country prepares for its legendary carnival.
A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.
Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...
In this one-hour documentary, superstar Miley Cyrus allows unprecedented access into her extraordinary life as she rises to the challenge of presenting a new and sometimes controversial persona to the public. As a teenage star, Miley amassed millions of passionate international fans who followed her every move. Three years later, she attempts to shed her previous image while embracing music full time. Whether in the studio, at a performance, or on the set of her latest music video, Miley exudes the confidence of a creative young woman in a period of radical self-discovery who still inspires legions of admirers while confronting her critics. Ultimately, the film is an intimate portrait that captures Miley's exuberantand spirited life, her evolving identity, and her exciting transformation into amusic icon.
Nai Nai follows the story of a Chinese immigrant grandmother, Chu-Ming Wu. Known as “Nai Nai,” Chu-Ming has always been a woman of control. But her grasp of reality and the control of her own mind is slipping away. Told through the lens of her grandson, the film focuses on the joyful, heartbreaking and intimate moments in the last chapters of her life.
Filmed over five years in Kansas City, this documentary follows four transgender kids – beginning at ages 4, 7, 12, and 15 – as they redefine “coming of age.” These kids and their families show us the intimate realities of how gender is re-shaping the family next door in a unique and unprecedented chronicle of growing up transgender in the heartland.
November 7th, 2001. After a seventy years absence, the Ecuadorian national soccer team is close to qualifying for the first time to a Soccer World Cup. This documentary follows the events that took place during that historic date, when a whole country lived under the shadow of a soccer game.
What does it feel like to be a stranger in a country that you’ve lived in for twenty years? Two rootless and tenacious Chinese immigrants, Quan and Fen, try to find a home in each other on foreign soil.
Long Tack Sam was an internationally renowned Chinese acrobat and magician. He overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful vaudeville acts of his time. His showmanship was unrivalled, yet he refused to appear in movies because of the way Chinese were portrayed at the time. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century. It all begins in a small village in China... https://www.nfb.ca/film/the_magical_life_of_long_tack_sam/
A grandson shows his grandmother how to navigate an iPad 2 full of clues for solving a puzzle. Over a phone call, she recites an email she wrote seven years prior.
Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.
After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
John and Barry try to win back their respective girlfriends by reenacting scenes from films by the master of romance, Cameron Crowe.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
GCW presents Fight Club straight from the Showboat Hotel in Atlantic City, NJ! The event features the GCW World Championship match where Mox defends against Gage in a match that we have been waiting for during the last decade. Who will be the new GCW World Champion?
A family living in poverty, in a tiny house with no furniture. When mama goes to sleep, the youngsters head out to rustle up some firewood. Apparently that's illegal, so some forest rangers seize them and the wood to bring to a well-dressed man.
Spoiled child Geoffrey Bramer teams up with a pair of small time crooks to pose as an aristocrat and steal jewelry from exclusive shops. During a a caper, Geoffrey is caught and is sentenced to a reformatory where young men are trained to be sailors. He is befriended by model in-mate Terry O'Mulvaney but soon starts to get them both in trouble.
Two Los Angeles cops go undercover to investigate the distribution of steroids to wrestlers and body builders.
A video letter composed for Amnesty International's 'Lest We Forget' series.
Violet, employed as a maid of Count Berkow, is wrongly accused of burglary of the Count. After an unjust prison sentence Violet travels to America.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
At fifty years of age actress Farrah Fawcett reveals her body to the camera in this one off special.
The film is an unofficial remake of Tamil film Ullathai Allitha, which itself is influenced by the Hindi film Andaz Apna Apna.