
Goodbye to Language
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Maria, an unfortunate young woman, kills her rapist father in self-defense, and is later tried, sentenced, and shipped off to a woman's penitentiary where she and her fellow inmates are subjected to psychological and sexual abuse at the hands of a psychotic lesbian warden.

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After a one-night stand a couple is faced with the terrifying possibility of what they really want.

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A 16 year old girl has come to the hospital to identify the body of her mother. The people in charge at the hospital - due to her young age - won't let her into the morgue. After she insists that most of her family is in jail for criminal activities, they acquiesce...

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Wind(en)
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The House of Branching Love(fi)
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Himalia(fr)
With a sense of strange timelessness, this fable immerses us in the daily life of a child fascinated by the elusive rays of the sun that stir life on the atypical lands of Himalia.
Les hommes sans gravité(fr)
Alban lives in a castle that he has just inherited in a small village in Charente-Maritime. Inside, the dilapidation has long since taken hold. He meets Jérôme, a young gypsy from the neighbouring town, with whom he has a sexual relationship. In this space that is impossible to rebuild, a strange intimacy is gradually invented, barely disturbed by the interruption of a young woman who has come to spend a few days in this residence.

Every Ambulation a Betrayal(en)
Return to 'burn' only to find out you're already in that urn.

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The Cigarette Bus(ro)
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Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

The Image Book(fr)
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

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Fellini: A Director’s Notebook(it)
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.

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