Negu hurbilak

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

The Scars(eu)

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Bullet in the Head(es)

Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a friend; small, unimportant everyday situations. One day he gets into a car with two other people. They cross the border between Spain and France. The next morning, their lives will change forever.

Ane Is Missing(eu)

The Basque Country, 2009. Lide is a security guard for the high-speed train works, a project that generates social protests in the streets. Coming home after work and partying all night, she makes breakfast for two, but her teenage daughter, Ane, is nowhere to be found. The next day, she’s still not back.

Death Knell(eu)

Human bones are found at the Garizmendi farmhouse. Farmers Fermin and Karmen call their son Nestor, who reports the matter to the authorities. But, when the agents turn up, the bones are gone. Suddenly, the bell on the nearby chapel begins to peal. This bad omen announces the coming of tragic events and reopens old wounds within the family and those around it.

The Beautiful Fantasy of Final Purpose(es)

19-year-old Floreal is suddenly forced to face a past he tried very hard to overcome. A past that involves his eccentric grandmother Amanqay and a power stone she left behind.

The Accordionist's Son(eu)

David Imaz had to flee from the Basque Country in the mid-seventies, repudiated by his people, accused of betrayal. Despite having found happiness in California, his past still weighs him down and the feeling of guilt prevents him from being able to settle down and peacefully enjoy the last days of his life. Joseba Altuna, his childhood friend, comes to say goodbye and to settle the score while he's at it. It's been a long time since they saw one another, but the time has come to face the truth.

Zeru horiek(eu)

Irene, a former member of the terrorist gang ETA recently released from prison in Catalonia, recalls her past during her return trip to the Basque Country.

Proceso a ETA(es)

Dar-Dar(eu)

In the mountains of the Basque Country, a mother and her daughter take shelter in a ruined hut that seems uninhabited.

Cows(es)

A film set in the Basque region, beginning in the Carlist war of 1875 and ending during the Spanish Civil war of 1936. The film portrays how one single act of cowardice shapes the life of the next three generations of two families and fuels the intense rivalry which will span the next sixty-one years.

Nora(eu)

Nora is 30 years old; she lives with her Argentinian grandfather Nicolás and regularly takes care of her friend Meri's children. She writes the horoscope for the town newspaper, although her dream is to be a travel writer. When her grandfather dies, she inherits an old Dyane 6. Despite being a terrible driver, Nora will set out aimlessly on a road trip along the Basque coast so that her grandfather's ashes may finally rest beside those of her grandmother. The road will soon teach her that she's not a born traveller and that her dream had nothing to do with roving, but was only an excuse for the chance to be free, to grow, to close wounds and, for the first time, to find her own happiness.

The Giant(eu)

Having fought in the First Carlist War, Martin returns to his family farm in Gipuzkoa only to find that his younger brother, Joaquín, towers over him in height. Convinced that everyone will want to pay to see the tallest man on Earth, the siblings set out on a long trip all over Europe, during which ambition, money and fame will forever change the family’s fate. A story based on true events.

Dark Years(eu)

Itziar is eight years old and lives in two very different worlds. On the one hand, the world of her disappointed Basque nationalist parents and, on the other, the religious school, which gives the girl a repressive and retrograde education. However, there is another kind of world, much nicer to Itziar, formed by the street and her friends.

The Journey of Arián(es)

Arián, a young Basque girl, idealistic but naive, joins a ruthless terrorist gang and, hoping to prove her commitment, volunteers to participate in the kidnapping of the daughter of an important businessman.

Cell 211(es)

The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.

Ehun metro(eu)

It's 8 AM in a summer morning from the 70's. Jon, an ETA member, is being chased by the police in the Old Town of San Sebastian. While he runs, he revises his whole life.

Clandestinos(es)

Xabi, a troubled boy, meets Iñaki, a member of the terrorist gang ETA who becomes his mentor and ideological inspiration. Some time later, Xabi is arrested for throwing a Molotov cocktail and confined in a juvenile detention center, where he meets Joel, a Mexican, and Driss, a Moroccan, with whom he manages to flee and reach Madrid with the purpose of finding Iñaki and joining the gang.

Ke arteko egunak(eu)

One day, Pedro Sansinenea left family, friends and country, an environment that drowned him. Twenty years later he returns to the Basque Country for several reasons, where he finds old hatreds, new conflicts and even a dramatic love story.

The Bastards' Fig Tree(es)

A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.