Family Camera

I Am Trying to Remember(fa)

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

The Scars(eu)

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Podoby sveta(sk)

Searching for the Standing Boy of Nagasaki(en)

October 1945. A young Japanese boy in the devastated city of Nagasaki, two months after the atomic bomb, carries on his back the lifeless body of his younger brother. An American military photographer, Joe O'Donnell, took a picture of the boy standing stoically near a cremation pit. No one knows the subject's name, but the photo has become an iconic image of the human tragedy of nuclear war. This documentary follows the continuing efforts to deepen understanding of the photograph, while exploring the fate of thousands of atomic-bomb orphans and their struggles to survive the aftermath of World War II.

Phantoms of the Sierra Madre(en)

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

Robert Doisneau: Through the Lens(fr)

Featuring previously unissued photographs and video archives as well as interviews of his friends and partners in crime, this documentary tells how the kid from the poor suburbs turned superstar photographer. It draws the intimate portrait of the life and work – being so closely interwoven – of and artist fiercely determined to be purveyor of happiness.

Las Preguntas que Perdimos(es)

War Dance(en)

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Chevolution(en)

Examines the history and legacy of the photo Guerrillero Heroico taken by famous Cuban photographer Alberto Díaz Gutiérrez. This image has thrived for the decades since Che Guevara's death and has evolved into an iconic image, which represents a multitude of ideals. The documentary film explores the story of how the photo came to be, its adoption of multiple interpretations and meanings, as well as the commercialization of the image of Ernesto "Che" Guevara.

Blin Cat(ru)

A video essay about a conversation the director had with a friend about a particular picture of a cat sitting in front of a plate of blins.

Julia Don't Get Married(es)

Photos, home videos and especially a series of audios recorded without Julia's consent are the essence of this film that tells the story of a woman who got married despite having many doubts and who never tired of seeking her own happiness.

The Dead Nation(ro)

A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.

99 days(xx)

Two instants separated by 99 days conflict with each other.

Amour(fr)

Using a rostrum camera, Raymond Depardon films a long series of photos, from the narrow streets of Paris to the endless desert, accompanied by original sounds of the city. A Cartier Foundation initiative for the contemporary arts.

Bancoco(en)

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

Wedding(ru)

In the mockumentary, the main characters Artem and Lisa are preparing for their wedding. Their friend is filming everything that is happening on camera. At the celebration, during the exchange of rings, the newlyweds sincerely rejoice, but then a relaxed walk in the rain begins, which brings unexpected comic moments. Later, the guests gather for a feast, where there is an atmosphere of laughter, jokes and general fun, emphasizing the joy of this important day for all participants.

Lady Time(fi)

Sirkka-Liisa died alone with no one left to miss her. Elina happened to buy her home after her death and ended up with all Sirkka-Liisa's possessions from books to photos. What would happen If Elina threw all her things away?

Finding Vivian Maier(en)

Vivian Maier's photos were seemingly destined for obscurity, lost among the clutter of the countless objects she'd collected throughout her life. Instead these images have shaken the world of street photography and irrevocably changed the life of the man who brought them to the public eye. This film brings to life the interesting turns and travails of the improbable saga of John Maloof's discovery of Vivian Maier, unravelling this mysterious tale through her documentary films, photographs, odd collections and personal accounts from the people that knew her. What started as a blog to show her work quickly became a viral sensation in the photography world. Photos destined for the trash heap now line gallery exhibitions, a forthcoming book and this documentary film.

In These Pages(bn)

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

Alix's Pictures(fr)

Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.