2023-07-01
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Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?
A filmographic essay featuring lines from "Bonedog" by Eva H.D. A pathos on memory, travelogue consciousness and the divets remaindered from environmental displacement.
In this short from James Knight, a collection of Paul Celan's poetry is subjected to an electrical atomisation. Its words are severed from their material form. Knight composes through decomposition, pages disintegrate and reintegrate, and all the while the traces of their words remain fixed.
From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.
Light is information, a signal more lasting than recollection. If there’s anyone out there to receive the message. Isolated in a sealed apartment, a lone observer regards an outside world outside become increasingly unreal or unreachable. Archaic illuminations, old slides and the pin-lights of the camera obscura, crawl across the walls. Connections fray. Time loses meaning. A science fictional essay film, or its inverse. A rumination on optics, memory, data, and endings.
Sitting Idle (2021) is a meandering, meditative visual poem that follows the life of a nameless character over the course of a year - as he traverses across the country, meeting and living with friends along the way. Luke Olutunmogun presents an unconventional plot-free narrative that acts as a visual longitudinal study and diary - exploring feelings of loneliness, alienation, and jadedness amid the death throes of a decaying urban landscape.
"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.
Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.
In the tradition of experimental genres such as the cut-up, collage, permutation, altered book, & erasure poem, ‘Burning Batteries’ dissects the idea of the book in both a literal & philosophical way. Books are usually thought of as 2D, static, fixed pieces of historically relevant narratives – ReVerse Butcher wants you to (re)think books as contested spaces for possible intervention, creative agency, & rebellion. She sees books as multi-layered places where multiple meanings hide behind the illusion of being locked-in by consensus reality.
Digital images decomposing in rain-like effects. A visual poem, trying to capture the poetics of a cinematic rain shower into the structure of its images. Still images from the 1982 science fiction film noir classic Blade Runner become animated, a frozen memory of two lovers is washed away in time.
Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.
Using Varsha Panikar's poetry series by the same name, it follows the journey of a poet as they rediscover love, passion, and identity after encountering their muse.
Philophobic delves into the complexities of modern relationships, offering a glimpse into the emotional journey of a young woman navigating love and fear. Through the lens of her bedroom and the use of viewmaster reels, viewers witness her struggle to reconcile her longing for connection with her deep-seated fear of vulnerability. As she grapples with her emotional detachment, Philophobic prompts reflection on the fragile nature of Gen Z relationships and the universal quest for validation.
A kaleidoscopic montage, interpreting the poem "Our Punjabi Market" by Kuldip Gill depicting the vibrance of the Punjabi Market at 49th and Main in East Vancouver, BC.
Compiled from stock footage, Livestock is a visual poem exploring the digital, physical and metaphysical synergy of the modern workplace.